Beauty and truth

What is beauty and where it exists?
I would search it around the cosmos;
Sometime in falling star, and sometimes in dew;
But they were not long lasting;
And I turned away to mountains and forests.
With new rain, I saw them changing.
New leaves, new lives and new smells.
I was mesmerized to see them.
Was it beauty? And I was in the lap of beauty?
I watched each and every flowers;
There colors, and big and small green trees. a
With the two motions of the earth
I saw its changing colors, from green to brown.
I saw the dying fish without water.
When the next rain came, my eyes had changed.
Because I knew what is next ahead ;
Again new leaves, new lives and new smells.
I want to look deep into your eyes;
Not for the shake of beauty, but for the shake of truth
May be I get beauty, searching the truth.
Because a wireless message has come to me,
That ''You are in search of beauty.''

The task of liberty

May be sky is limitless;
And you have courage to go deep, beyond and beyond.
May be the surface of the sun is un-tolerable;
And you have ability to walk on it with naked feet.
May be the sea is deep;
And you have eyes to see the pearls
But sorry to say it my friend!
These strengths have no meaning without freedom
Freedom to think; and freedom to express!!
Behind the glimpse of the stature of Liberty
Watching eyes, creating a circle of an unseen cage;
And a voice is sinking deep and deep.
How can I say that the task of liberty is completed?

Nothing like that

(dedicated to a far voice)

Scenes 34-36

Scene 34
Characters : Four man and Ten Army men, more than one hundreds civilians, Director, Peter, Liza, Rose, Max, Jill, Nick, Robin, Nikita, Elizabeth. Some cameramen and some spot-boys.
Ext/Morning / outside an open ground.
(There is a bull cart, two men are laying under the bull card, Their necks were arranged before the wheels. They are facing capital punishments....A strong and danger bull is bounded with the card. An old Army man was standing there with a sword and a hunter....Two men are standing there. Their hands were tide with a rope...More than hundreds families present there with children and women.The bull-card was standing there. Its wheel have been tied with a rope so that it cannot move ahead. The other part of the rope has been tide with a strong tree. All the People are looking to the bull that is becoming angry and the two men who is under the bull card for the capital punishment are little afraid. Director is sitting on a dolly and looking through the camera. Other five cameras have been fixed on the different positions. Max, Robin and Nick are taking care of all the shooting fields. Peter and Liza are standing besides the dolly and smoking fast. Rose is busy with a camera. Nikita is busy with his monitor watching all the cameras movement on the screen under the tree. Jill is standing besides her, watching the monitor. the bull become angry and two men under the bull-card runs away.
Director
(Looking through the camera from the dolly) What the hell they are doing? Ask them to stay under the wheel. (looking to Max) They know about the scene ?
Max
I have explained everything. Let me talk to them.
(Max comes to those two people) Why are you running away. We want all of you under the wheel.
One man
The bull is not gentle. It is boiling with anger. So we are afraid.
Max
Afraid of death?
One man
The wheel can run over our neck...
Max
Do not talk foolish. The bull-card has been tied with the tree. And of course, we want to see the fear of death in your eyes...all the four persons facing capital punishment. Go and lay down...There is nothing to worry.
(The two men turns to the bull card. They see the bull and lay down in front of its wheel. They watch the bull and it is still angry.)
Director
(Looking through the camera) I want more light there. Use more reflectors.
(Nick turns to the spot boys quickly.) We want four more reflector there, hurry up.
(Eight spot boys run with four reflectors. They quickly fix the reflectors and turns its light to the bullcard. Bull is very much uneasy to see the reflectors' light.The two men looks to the bull with little fear. Elizabeth is sitting on chair under the open sky. She is reading a gossip news regarding yesterday's night party. A terrible sandwitch between two fire. Two photoes have been complied very skillfully in this news story. In on photo director is standing between Jelly and Elizabeth. Both the ladies are clinging to him from both sides and he is drinking wine. In another photo he is sleeping on the table alone Elizabeth is little irritated to read the story. With the paper she comes to Dolly.)
Elizabeth
(To the director, who is busy with the camera on the dolly) Have you seen today's news paper?
Director
(Looking into the camera) I never see newspaper.
Elizabeth
They are writing about you, Jelly and me...and it is frustrating. How they got the picture? Would you mind to see it.
Director
I want to shoot my scene first. I do not want to waist my time on nonsense newspapers.
Elizabeth
But I want to talk to you now...
Director
You fuck the newspaper and let me do my work.
Elizabeth
How they entered into our party?
Director
(Looking to the camera) It is perfect! Max, You will command villagers after fighting with army and the four punished people...ok ? And Nick,
Elizabeth
Our all the activities are being disclosed by the press...They are writing a lot about our relationship...According to this story, at the sametimes your flurting Jelly....
Director
Nick, You have to take care of the fighting between army and the prisoners....You will lead
this fighting...and then it will start between people and the army...I do not want any mistake now...Peter! Everything is ok?
Peter
My team is ready.
Director
Smart boy!!
Elizabeth
We must be careful about press...(looking to the photograph) althoug I am looking good in this pose. (With little anger) But I do not like Jelly with us. You see what has been written in another new about me and Jon...
Director
(Looking to the camera)
I am ready now. Would you mind to clap nick ?
Nick
(In loud voice) Mystery of history ! Scene 84 take one.
Director
Action
(The man who is standing on the bull-card hits the bull with his hunter, the bull becomes more angry.)
the old captain
(Looking to those prisoners who are laying on under the bull card) We have to finish our job quickly. Kill those two persons, we have to two more.
A prisoner
(Standing besides the Captain) I do not want to die under the wheel. You look how the are afraid.
the old captain
(With an irritating tone) I do not care about his fear. I have been ordered to kill all of you under the bull-card. And the supreme state knows better how to kill men.
(Robin comes besides the tree and with a help of knife starts cutting the rope that is tied with the bull card.)
A prisoner
But I do not like this death. You can shoot me or kill me by your sword.
the old captain
Do not suggest me how to kill you. I know my duty very well.
Second prisoner
I too do not want to die like this...
the old captain
Just shut up. I am not asking of your choice. It is the state's order and as a loyal captain, I am following the order...(With a little proud) I have killed more than five hundred people...and have been honored by the state.
(The two prisoners look under the bull)
one prisoner
Death like this has no sense...I would like to die by sword.
(He anyhow manages to un-tide his hands and gets up. He frees the other prisoners.
the old captain
(Looking to other army men) catch them and put them under the wheel. Four army men runs to the two prisoners and catch them. They are trying to put them under the wheel.The villagers are excited to see it. Other side Robin cuts the rope and with it the bull is very much free with bull card. He runs very fast with the card and armymen, prisoners, the villegers and all the units looks to the bull with surprise and excitement.
Director
(looking through camera, with an excitement in loud voice)
Start fighting.
(His excited loud words have great impact over the army men and the prisoners. They starts fighting. All the four prisoners and the army men starts fighting.)
Just fight naturally....with your full strength...carry on.
(A natural fight starts between Army men and prisoners. Villagers comes near to them)
Now it people turns...mike please..Nick use the mike.
Nick
(The maniac passion of director flows to Nick's mind. And in fanatic way he starts leading the crowd) Go on my friends...hit the army....You have revolted against the queen army....You want freedom, freedom and only freedom....Go on.
(His maniac passion touch the mind of people...and they becomes violent. They start beating the army. The bull is running fanatically around them...hitting people freely...The director looks the movement of bull through the camera, and he is highly excited to see its movement.)
Director
(To Nick) Ask the army man to drive the bull card among the crowd.
Jill
(with holding a mike in his hand) Drive the bull card among the crowd. Do it fast...
(the man who is trying to control the bull card with an excitement turns the bull to the people. The bull card runs fast over the crowd and the crowd become more angry. Some people jump over the bull card and try to holds the army man who is driving the bull-card. As soon as the catch the army man, they start beating him brutally.)
Peter
(Looking to Director) What the hell they are doing? Stop them...They are beating each-other.
(Elizabeth is surprise to see the real fighting.)
Elizabeth
Must stop it.
Director
(Looking through the camera) Keep your mum shut and let me do my work....
(All of sudden bull makes himself free from the card and it stars hitting people freely. The bull hit the reflectors. Reflectors fell down one by one. Directors moves his camera to bull. He is highly concentrated over the bull activity and bull is very much free to hit people. Meanwhile all the army men are being beaten brutally. Bull runs to Nikita and hit his head against her monitor. Nikita runs away. Then it runs to Elizabeth. She tries to move and falls down in Peter arms. Peter could not maintain balance and he fells down on the ground with Elizabeth. But quickly they get up and runs away. Bulls turns to Robin and starts hitting him brutally. Any how Robin manage to runs away. All the important equipments have been damaged by the bull.. Director is taking shots from the dolly.Rose and other camera men are also busy to take shots. The bull runs away in a certain direction. )

Direct
Ok...
Jill
(Using mike) Ok.....Cut to.....
(All the artists involved in this scene realizes they are fighting a real fight...They are very much relaxed to know that they are doing acting)
(Liza looks to the director who is very much relaxed on his dolly in the air closing his eyes and she smiles. The dolly comes down and Peter come to him.)

Peter
(His eyes are still closed)You know what you are doing?
Director
Making a film.
Peter
Someone might have died.
Director
But did not die....And now do not fuck my head...I want to shoot my next scene.

Cut to....

Scene 35
Characters : Director and Jelly.
Ent/day /in side a room
(Jelly is laughing continuously. She is very happy.)
Jelly
A mad bull was running around a crowd...How lovely it was!! ha ha !! I have never met a maniac director like you...It was not a crazy act? You are a crazy man and I love it....But you spoiled my previous night...
Director
In your next scene, Jelly!! (Emphasizing over the her name)...You are going to deal capital punishment....Are you prepare for it...
Jelly
Do you think I am doing wonder in your film?
Director
What do you feel?
Jelly
I have worked with many directors in my projects...Never feel such excitement...You are making me mad!
(She comes near to him. He is sitting on a chair. She sits comfortably in his laps.) Have you seen today's newspaper ? You are looking excellent with me...

Director
I do not read newspaper, but I know you are an excellent actress...As a queen you are very much interested in capital punishment and its method...
Jelly
(Looking into his eyes, in sexy tone) As Jelly I want to kill you because I love a man with killing instinct. Drinking too much has spoiled my night...
Director
Killing people is an art and it is discussed in your court. And then after a lot of discussion and thought Guillotine comes into existence in your court. And of course it is discussed in your parliament...Your whole subject is on the brink of revolution...
Jelly
You are monomaniac, and I love it.
Director
Would you mind to give me some space now...I have to see my set.
Jelly
I was thinking to drop your film yesterday...But now it is making me crazy...Can you tell me why?
Director
Because you are a crazy energy...
Jelly
You too is a crazy energy, Rascal! And now your energy is leading me.
(He gently pushes her away and stands up). You avoidance kills me...but be sure I will lead you in bed...

Director
I always love to see you in the skin of queen...
(He goes away)
Cut to...

Scene 36
Characters : Director, Elizabeth, Production manager Dodo
Ent/day/in side a room.
(Dodo is a typical production manager with tie. He is sitting on a chair, while Elizabeth is moveing here and there.)
Dodo
39 people are injured badly today. For god bless no one has been killed. All the major equipments have been destroyed.
Elizabeth
What do you want to say?
Dodo
We cannot work like that...we have to pay a lot of money...Till now I have not calculated the loss...But I am sure it will affects our project's budget.

Elizabeth
What you suggest?
Dodo
Change the director and save this project
Elizabeth
It is impossible!! I do not like moving back.
Dodo
We have to pay a lot money to all the injured persons if we do not want any police intervention.
Elizabeth
Do not worry about money, You do your best to satisfy all the injured people. I do not want to stop this project.
Dodo
Why you are crazy behind this project. We can work over other project.
Elizabeth
Just do your best for this project.
Dodo
But he is a crazy director, and a crazy man is...
(Director enters into the room and Dodo stops, looking to director.)
Director
I am a crazy man?
Dodo
You know what have you done today? It is a complete disaster. I have handle many movie projects in my life...but it is...it is a hell. You know how many people are injured? We all can be send behind the bar.
Director
And I will be guillotined...hum!
Elizabeth
Please stop argument! Dodo! I want to complete this film at anycost. You just do your best. I will sanction the extra money, you do not worry.
(Dodo looks to Elizabeth and then to director with anger and goes away.)
Director
Smart boy!!
Elizabeth
You know the bull was behind me.
Director
Really!! I think you always like bull.
Elizabeth
Just set up. Is it the way of making a film.
Director
Someone is working against this project.
Elizabeth
What do you mean?
Director
Someone cut the rope of the bull.

Elizabeth
Are you sure?
Director
How the press manage to get our internal photographs ?
Elizabeth
Who is that?
Director
I will find out..
Cut to...

Nothinng like that

(Some one sing and I write)

By Alok nandan

Scene --30 to 33

Scene 30.
Characters: Max, Jill, Nick, Rose, Jon, Jack, Roma, Elizabeth all the camera men, light men, even all the units.
Ent/night/ a big hall.
(Some girls and boys are dancing on a floor. Eatable and drinks are being served to all the persons. Roma is dancing with some boys. Jill is drinking fast. Max and Nick are dancing with Roma. Elizabeth enters into the hall and looks around. She is searching for Director. Jon has drunk too much and still he is drinking. He sees Elizabeth from a little distance and try to hide himself. As soon as he turns around, he crashes with Rose. He quickly holds falling Rose in his arms but looses his balance and with her fell down on the ground. All the wine of Jon hands pour down over Rose dress. All the people looks to them)
Rose
(She is still in Jon arms on the ground. Looking to her dress) What you have done?
Jon
I am sorry, but I like it.
Rose
(With angry tone) I would like to kill you. Just leave me.
Jon
(His head is very near to her lips) How can A man leave a falling lady. Would you allow me to improve this scene ? I would like to drink your kiss.
(As soon as he tries to kiss her lips, Elizabeth grabs his shirt and tries to pull up forcefully. His shirt torn and his mouth touch the lips of Rose. In the drunken mood, he starts kissing Rose, who is trying to push him away.Angry Elizabeth catches his hair and tries pull him up, but he is still kissing Rose' lips. Elizabeth uses her both hands to pull hir hair and he stands up and looks to Elizabeth with his drunken eyes.)

Jon
What can I do for you, madam ? (Turning to Rose who is arranging herself on the ground)
You can see I am busy with this lady...and I am not free for you.

Elizabeth
Just shut up!! Where is director?
Jon
Shooting is over, so how can I say where is director? He is a man, he will be sending his free time with her lady. It is not your bedroom...(Giving a helping hand to Rose and looking to Elizabeth) Would you mind not to disturb me?

(Without taking his hand, Rose stands up.)
Elizabeth
(Looking to Rose) Where is Peter?
Jon
(Looking to Elizabeth) What a lady you are!! Sometime you ask for Director and sometime you ask for Peter !!
Rose
I do not know. (She looks to her own dress and tries to remove the wine from her dress. Jon very gently tries to remove the wine from her dress with his hand. He touches her breast and she pushes him away. He fells down on the dancing floor where Rama is dancing with Max and Nick,Max and other boys. She is dancing freely. With her full speed she sometimes dances with Nick and sometimes she dances with Max. Both of them try to coves her. When she dances with Nick, Max becomes upset and tries to catches her and when she dances with Max, Nick becomes upset and tries to catches. at the same times she is enjoying the attention, competition and frustration of two men. She is also provoking all the young men on the dancing floor to dance with her. And all them wants to here attention. She is leading the dancing floor. From the ground Jon sees her underwear, as she is in a short dress open dress. He starts dancing laying on the floor and watching her underwear. While Nick tries to cover Roma, Max pushes him and he fells down on the floor, besides Jon. He follows Jon's eyes and sees the underwear of Roma. He too starts dancing with Jon on the floor looking her underwear.Jelly enters into the hall. She is in a sexy dress, exposing her body. She is looking all around the hall. She comes picks up a glass of wine and moves ahead seeping it. Jill is drinking in a corner silently. Elizabeth comes to him.)
Elizabeth
Where is director?
Jill
I do not know?
Elizabeth
Go and search him. I want him in this party just now. Go fast.
(Jill finishes his glass fast and runs to the door. When he crosses Jelly, she stops him)
Jelly
Where is director?
Jill
I do not know, but I am going to call him.
Jelly
I want him here in this party, do fast.
(Jill runs to the door.)
Cut to...


Scene 31

Characters : Director, Peter, Liza, Nikita and Jill.
Ent /Night/ Editing room.

(Peter is sleeping in his chair but still smoking, while Director and Liza are watching the scenes on the computer screen. Nikita too is watching the screen.The queen is beating the bishop brutally on the screen. When the scene is finished Nikita put on the light. Liza comes to director with a paper and a pencil. Director is in deep thought. )
Liza
I think this design of the Guillotine will be perfect. (She advances the paper to director, who is still in deep though. For a little she looks to the director.) Excuse me!!
(Director looks to her as if he trying to recognize her.) Would you mind to see the design of Guillotine?
(Director still looks to her as if he trying to recognize her.Then he turns to Peter who is in deep sleep but still smoking.)
Director
This man is a hell. Peter! You have not seen the rushes. You are sleeping?
Peter
(Without opening) I never sleep. I am thinking about your film.
Director
May I know what you are thinking about my film ?
Peter
All the audience would like to sleep in the hall when this film is projected. I think sleeping is the best entertainment. And in this way you are serving the audience...
Director
I would love to guillotine you, rascal.
Peter
Do not be angry, it was a jock. This film is going to be a big disaster.
Liza
(With a natural flow) No, we are making a great movie. Each scene is very much alive...It will mesmerize the people...I want to make the guillotine this way.
(She advances the paper to Director. He looks to her with little surprise and turns his eyes to the paper.) I am following the original design of Strasbourg criminal court's officer Laquiante. It is different than halifax Gibbet and Scottish Maiden.
Peter
What the hell you are talking I do not know...I know only that we are making a disaster...who knows your Guillotine?
Director
Better you stop barking.
(Jill runs fast into the room)
Jill
(Coming to director) Jelly and Liza are asking for you. They want you in the party.
Director
(With an irritating tone) I will see them.
Peter
(standing up) I would like to enjoy the party...
(Peter goes out.)
Jill
(Looking to director) They are waiting for you.
Director
(Returning the paper to Liza, to Jill) How the party is going on?
Jill
Excellent!! Everyone is enjoying it...
Director
Perhaps my mind is foggy...Let me see the party.
(He goes out.)
Jill
(To Liza) Do you want to come in party?
Liza
Of course!!
(She too goes out.)
(Jill looks to Nikita who is busy with his computer. He slowly comes behind her.)

Jill
You do not want to enjoy the party?
Nikita
(Without looking him) I have to finish some work.
Jill.
Jill
Let me help you...
Nikita
(She turns to him)
How?
(He holds her face in his hands and starts kissing her. She does not oppose him.)
Jill
A woman is always pleasant after hard working.
Cut to....


Scene 32.
Characters: Director, Peter,Jelly, Liza, Max, Jill, Nick, Rose, Jon, Jack, Roma, Elizabeth, Robin, the lady Journalist, all the camera men, light men, even all the units.
Ent/night/ Party.
(Peter, Director and Liza enter into the hall together. The party is in full swing. All are dancing and drinking. Robin is dancing with Roma and her group.The lady journalist is standing in a corner and drinking. She is very watchful. Elizabeth and Jelly looks to director at the same time and runs to him. They kiss from the both sides and hold his hand. Both are jealous to each-other.)

Elizabeth
How nice to see you here. What would you like to take?
Jelly
He will like to drink my wine, Am I write?
(She serves him her own glass, he looks to her and takes the glass. He gulps the glass.)
Elizabeth
You know I have organized this party for you.
(Looking to Liza) Jelly! Would mind to declare him the honor of the guest Please...Do not worry, Let me to it...Would you mind to leave his hand please?
(Director is unable to understand what is happening with him. He is in a state of bewilderment.)
Jelly
(Very slowly in his ear) I want you tonight...
(She leaves his hand. Elizabeth looks around the hall)
Elizabeth
Please stop the music....
(Music is stopped and all looks to Elizabeth)
I want to declare something here...( Looking to the Director) This talented director is the guest of honor today..I wish for his great success...
(All claps,while Peter smoks fast.)
Jelly
And I offer him this wine....
(She serves him another glass of fine. Director drinks without knowing anything. He is just being led by two women without his will.Jon comes with a full bottle and holds the director in his arms.)
Jon
You have allowed me to improve my acting...
(Looking to Jelly) I think you will not mind my improvement...
Jelly
And you would not mind my shoes over your head.
Jon
Let us celebrate together.
Director
(With anger tone) Celebration !! For what?? I cannot celebrate till the film is complete...I have to shoot a lot...
Elizabeth
Do not be angry, we will complete the film. You just drink and enjoy....
Director
I cannot enjoy...but yes, I will drink..
(He takes the bottle from Jon's hands and drinks from the bottle. He finishes half the bottle and looks to Jelly and then he looks to Elizabeth. He starts drinking again and finishes the whole bottle.He picks up the second bottle and opens it, after taking two gulp he starts dancing. All the people increase him a lot and he dances. He jumps over a table and all the crowd stands arond the table. He dances fiercely and drinks terribly. Liza is surprised to see his fierce dacne.Peter is smoking fast. The lady journalist is taking photographs with his secret camera.)
Cut to....


Scene 33
Characters : All the units.
Ent/day/part hall
(All are busy in eating and chatting while director is sleeping sound on the table. All of them go one by one, but director is still sleeping. Jelly come to the sleeping director and looks to him.)
Jelly
(Looking to him, with little frustration) Idiot.
(She goes away. After a little while Elizabeth comes to him)
Elizabeth
(Looking to him, with little anger and frustration) Idiot!!
(She goes away)
(All of them goes away. Director is alone, sleeping sound.)

Cut to.....

Nothing like that (Scene-25-29)

(Alok nandan, Dedicated to a far voice.)

Scene 25.
Characters : Dirctor, Peter, Elizabeth, Nikita
Ent/evening/Editing room.
(Dirctor, Peter and Elizabeth are sitting in the small editing room. Nikita is busy with a computer. She is arranging all the shot scenes on the monitor. Peter is smoking.)
Elizabeth
(to Director, who is sitting besides her) I have not much time. I have to prepare myself for the evening party. You know how I am going to dress myself for the party ?
Director
How can I know?
Elizabeth
I will not tell you, You just wait. I am sure you will be surprised to see me. (to Nikita) Please do fast.
Nikita
I am trying my best, Madam.
Director
(to Peter who is sitting besides him and smoking) Would you mind to stop smoking, Please?
Elizabeth
Yes, too much smoking is bad for health. And you are making us passive smokers. It is a small room, so please stop smiling....
(She snatches the cigret from his mouth and throw its behind. The burning cigret falls down on the mat. Nikita starts the projector and all of them watch the today's rushes. Elizabeth holds the hand of Director.)

inter cut...

Scene 26.
Characters : Max, Robin, Jill and Nick.
Ent/ Evening/ in side a room.
(Robin is standing before a mirror and mending his face with hot water, while Max is laying on a bed and looking to the ceiling of the room. Jill is sitting on a chair and drinking beer in relaxed mood. Nick is taking a bath in a bath room)
Robin
(Mending his face before the mirror) I do not understand I am working in a film or fighting a war. (Looking his face keenly) He has made my face blue, even I am unable to recognize my face.
Jill
(gulping some beer). You are not recognizing your face and Max has forgotten his name.

Robin
Is it the way to treat an assist director? I will fuck him and his film. He is a big rascal, I can make a better film than him.
Jill
Do not say anything against his film, he will kill you.
Robin
I do not care. He has beaten a median person too, and media is going to fuck him and his film.
Nick
(Coming out of the bathroom after bathing) who called media here?
Jill
(He stands up and runs to bathroom, he gives the bottle to Nick.) Now it is my turn. (Nick gulping the beer goes to Max who is still staring the ceiling) Are you Ok Max?
(Max does not response, he is still looking to ceiling. Nick opens his mouth and pour down some beer in his mouth)
I think it will make you fresh.
(Max gulps the beer without looking to him. Looking to Robin's face) It seems that you are coming from a boxing ring.
Robin
I will fuck him.
Nick
Sure! But give me some space so that I can comb my hair. I will have to select a beautiful girl in the party...Are you coming in the party? (giving him the bottle) But I do not think any girl will like your blue face.
(Robin looks himself again in the mirror and gulps some beer. Nick selects a comb from the dressing table and looks to Robin) Would you mind to give me some space please.
(But he is still watching himself in the mirror. Nick says loudly) Cut to...
(With this word, Max jumps from his bed and starts repeating loudly with full action)
Max
Cut to...Cut to...Cut to...
(Nick and Robin looks to him, Jill runs from the bathroom, half naked. Nick and Robin runs to Max who is running here and there in the room, telling cut to, and try to hold him. But he is not controlled by them. Both of them are holding his hands.)
Nick
He has lost his mind.
(Jill comes to him and looks to his face. He takes the bottle of beer from Robin hands and gulp some beer and then pour down some beer over Max's head. Max becomes little normal, and looks to Robin face. He touches his own face as if he is seeing himself in the mirror.)
Max
Oh, my face has completely changed !
Robin
It is not your face, it is my face.
Max
(Looking to him) Who are you?
Robin
Robin! It is you?
(Max touches his face, and he jumps hard due to pain. Max goes to Mirror and sees his face)
Max
I will not leave him. But who called the media?
Robin
(With a little pride) It is I?
Max
What? You called the media here?
(All of them looks to Robin with surprise.)
Cut to.....

Scene 27
Character: Jelly.
Ent/evening/ bathtub.
(Jelly is taking a hearty bath in her bathtub. She is humming a song. She picks up a phone and dial a bumber)
Inter cut...
(Phone rings in the editing /projection room. Nikita picks up the phone. She listens it and looks to director who is busy watching the ruses, while Elizabeth is sitting besides him laying her head over his shoulder.)
Nikita
(Looking to director) It is your call, Sir.
(With a little irritation, director takes the phone)

(Jelling is humming over the phone. Director is listing her humming and he is little confused who she is.)
Director
Would you mind to tell your intention please.
Jell
(Looking to her hand) My hands and lips are waiting for you.
(Elizabeth listen the woman's voice and she tries to listen the conversation. She puts her head away and it hits his nose.)
Director
Bull shit!
Jell
(On the other side, becoming little furious) Are you trying to ditch me?
Elizabeth
(With jealousy) To whom you are talking?
(Peter is smelling something.)
Peter
Something is burning.
Director
What is burning?
Jelly
(Other side, In a romantic tone) My heart, my soul, my body...everything is burning....Are you not feeling my warm breathe?
(She leaves a warm breathe over the phone)
Elizabeth
(In an angry tone) To whom you are talking?
Peter
(smelling in the air.) I am sure, something is burning...(He smells all around the air)...it is fire
Peter
Where is fire ?
Jelly
(She looks around the tub, with a sexy tone.) Would you like to see my fire? I m in cold water, but my body is burning...
(Elizabeth is still trying to listen the conversation. Director is highly distracted from the rushes.)
Peter
(He is still smelling in the air. Nikita too smelling in the air. She is looking around.)
I am sure something is burning.
Director
(Looking to Peter, with a loud voice) Would you mind to keep your mouth shut?
Jelly
(Looking to the receiver, with angry tone) You must know how to talk to Jelly....either you come to me, or I will fuck your film.
Elizabeth
(With an angry tone) Either you stop talking or I stop the project.
Peter
I am sure something is burning.
(All of sudden the mat starts burning with flames due to cigret that was thrown by Elizabeth from Peter's mouth. Peter looks to it and becomes happy )
Peter
I am always right. Look, there is fire.
Director
Here is a fire, I will talk to you soon.
(Jelly is highly excited)
Jelly
I can hardly wait to see your fire. bye, take care.
(Director runs to fire control equipment and after taking it off the wall, he throws it on the ground. Then quickly try to uses it against fire. Some of the liquid spreads over Elizabeth's face. She is afraid and angry. Director controls the fire and looks to Peter, who is unconsciously burning another cigret, when he sees the angry face of director, he quickly puts off the lighter. As soon as director comes to hit him, he realizes that Elizabeth is loosing his mind and becoming unconscious. He quickly turns to her, and before her fells down, he catches her in his arms. She is unconscious. Director looks to Nikita.
Director
(Holding Elizabeth in his arms, to Nikita) I will watch the scenes.
(Looking to Peter, he grumbles, as he feels strong desires to hit him, but Elizabeth is in his arms, so he is not able to do it. He goes out with Elizabeth, up lifting her in his arms. Peter, in a fanatic mood, takes the cigret in his mouth and lit it. He smokes fast, while Nikita looks to him with surprise.)
Cut to...

Scene 28
Characters : Director, Elizabeth, and Jon.
Ent/evening/ in front of Elizabeth's room.
(Director comes to Elizabeth's room. Elizabeth is in his arms. She is still unconscious. Jon from a little distance sees both of them. He thinks Director is going to make love with her, so he tries to go away. But director sees him.)
Director
Why are you running? I need your little favor.
(Jon comes to them and sees Elizabeth.) She has lost her conscious.
Jon
What have you done with her? You must know a woman should be handled gently.
Director
(With irritation) Just keep your mouth shut and help me. (Looking the door) Open the door.
(Jon opens the door and director enters into the door with Elizabeth. He puts her on a sofa.) We should do something. Would you mind to bring some water here.
(Jon runs for water, while director shakes her head)
Come on, open your eyes...
(Elizabeth opens tries open his eyes...she is half unconscious, when Jon open refrigeter and picks up a bottle, he sees a bottle of costly wine. He stops and thinks little while and then, then opens the bottle and drinks it with one attempt. He comes back with the bottle of water. He is in a drunken state.)
Director
(Taking the bottle from his hand, he pour done some water over her face, and tries to wash her eyes and face with his hand. She realizes that director is touching her face, and she gets arising, still she is half conscious. Jon looks to her, he is shaking little. Director looks to him.)
Director
Take care of her....I have to see the rushes.
(Jon affirms his head and starts washing her face. Director goes to door.)
Jon
Please, do not cut my improve scene.
(Director says nothing but goes out of the door. Jon starts washing her face with his hand, and she arises sexually, thinking it is director who is touching her body. Her eyes are still closed. Drunken Jon too is excited to see her expression. She holds his head and pulls it to her mouth. Jon starts kissing her. Her hands are starts moving around his body freely, and he too is loving her loosing his mind. Her eyes are still close. Both of them are enjoying each-other)
Elizabeth
(with closed eyes) I always want you...Just love me, love me like a real man....
(Jon looks to her with a little surprise)
Jon
You always want me? But you have never told me...
( Listening Jon's voice, Elizabeth opens her eyes, and sees Jon's black face.)
I will love you like a real man.
(She looses her control and kicks hard over his face. She pushes him away from her body and starts beating him. She uses her hands and all the instruments in the room over his body. He is beaten badly, although he does not understand why he is being beaten. Anyhow he manages to run away in confusion)
Cut to...

Scene 29
Characters: Peter, Nikita, Liza and director.
Ent / Night / Editing
(In the editing room, Peter is sitting on a chair and smoking. while Nikita is busy with the project machine. Liza is sitting in the corner, reading some charts and working over them with a pencil. Director enters into the room and looks to Peter.)
Director
You are still smoking here?
Peter
(With full confidence) You know, I cannot live without smoking.
(Liza looks to Director. Director turns to Nikita.)
Director
Would you mind to start it from the beginning?
Peter
Why from the beginning while we have already seen half films?
Director
(In angry tone) Because I want to see it again, any problem?
(Peter looks to director and smokes fast. Nikita starts the shot film from the beginning on computer. Director sits on a chair.)

Scene 29
Characters : the lady journalist,Jon, Robin, Max, Nix and Jill.
Ent/day/gallery.
(The lady Journalist is looking through a door' whole. She is watching Robin, Max, Nix and Jill. She is in search of some gossip news. )
Nick
(to Robin) Director will fuck you if he knows it is you who has called media here.
Robin
(In an angry and proud tone) I will fuck him and his film. I can make a far better film than him. He has beaten me like a dog, (Looking to Max) Max has lost his mind. We are not dogs, Are we?
Nick
You are traitor!!
Robin
And you are a worrier!! Very soon he will knock down you too.
(Jon runs fast in the gallery, Looking back as if some ghost is running behind him. She runs fast and strikes against her hips. After this strikes the door opens and she fells down in side the room with Jon. Trying to make balance, Jon holds her. All of them look to them with surprise.)
Robin
(Looking to Jon who is still holding her on the ground) You are always an impatient man regarding woman. It is not the right way to chase a woman.
(Jon looks to him with bewilderment. He does not know what is happening with him.)
Lady Journalist
(With an irritation) Would you mind to leave me?
(He realizes that he has hold her in his arms.)
Jon
Oh. Sorry. It was not my intention.
(Robin puts him away and helps the lady Journalist lady to stand up, holding her in her arms.)
Lady Journalist
Thank you.
Robin
(Holding her tight) You are always welcome.
Jill
(Coming to her) Would you like to take some beer?
Jon
(Taking the beer quickly form his hands)
Thank you (He starts drinking quickly. Jill looks to him with anger. The lady journalist too is angry, but she controls herself and looks to Jill, who runs fast to take another bottle. Robin helps her to sit on the bed.)
Max
(Coming to the journalist) What are you doing here? Due to you I have been beaten? I do not want more trouble in my life. Just go away.
Robin
(Looking to Max) Cool down. She is here because I want it...I need her help.
Max
He help! For what?
(Robin looks to Jon) Would you mind to go out?
(Jon is still drinking beer.)
Jon
I am feeling myself safe here.
Robin
What do you mean?
Jon
Elizabeth was trying to rape me.
Robin
What you are talking, Once I tried but...(he touches his own chick where Elizabeth had slapped)...I do not believe you. Just go away.
(The lady journalist smell some news Jon's words)
The lady journalist
(To Robin)Let him tell the story. (Looking to Jon) why she was raping you?
(In spite drunken state, Jon realized that he has said something wrong.)
Jon
Oh, nothing it was just my wild imagination.
Robin
Control your wild imagination.
(Jill runs fast with another bottler of beer and gives it to the lady journalist.)
Jon
(Turning to the door) I will see you in the party.
(He goes away with the bottle)
The lady Journalist
I want some sexual scandal for my newspaper. Sexual news are read a lot.
Max
(to Robin) You are not doing fair. You face has already been blackened, I think the project should keep away from press.
Robin
I want to make my own movie, and everything is fare to get an movie.
Max
I am not with you.
Robin
It is your choice, I hope you will not reveal my secret before any one.
Max
I am going.

Robin
(Looking to Jill and Nick) What about you two men.
Jill
I do not want to be kicked out off this project.
Nick
You are taking big risk.
Robin
I do not need your words.
(Max moves out of the room and Jill and Nick follows him.)
the lady Journalist
I want some hot sexy news, Can you tell me with whom director is engaged ?
Robin
I do not know, but I want to fuck him.
the lady Journalist
Yes, he is very sexy...and I am sure Jelly will not leave him. I have to catch them for my story. For you I have good news....The journalist who has been beaten by Director is going to suit against him. I would love to see the director in the party.
Robin
Let us celebrate here first...
Lady Journalist
How?
(He comes close to her, and hold her in her arms. She looks to him with clever eyes, and then to the door)
Oh, director is coming.
(He turns to the door, and she kicks him fast. He fells down and then turns to Lady Journalist)
(With angry tone) You are my source only, is it clear?
Cut to....

Nothing like that (Scene-22-24)

(Alok nandan, Dedicated to a far voice.)

Scene 22
Characters: Director and Elizabeth
Ent/Day/ in a well decorated room.
Elizabeth
(Still in irritating but cold voice) Do you know how are you leading this unit ? Your own dog is barking against you before press.
(She sits on a sofa while Director is standing before him. He takes a bottle of water from a table.)
Director
I do not care. I am only thinking about my project.
Elizabeth
But press is cooking story against you.
Director
They are barking dogs.
(He sits on the sofa besides her.)
Elizabeth
Even your camera man Peter is upset with you.
Director
He is good for nothing. He knows only how to smoke.
Elizabeth
The set is again delay due to Liza, she must be removed from the project.
Director
I will talk to her after pack up. You need not worry.
Elizabeth
I am not worried about her, but I am worried about you. Do not you think you need some rest?
(She comes close to her and takes her hands over his shoulder)
Director
(with little irritation)
I want to see my set.
Elizabeth
(Holding him tightly) Everything will be ok, you do not worry. you just think of me.
Director
How can I think of you, while my I have to shoot my next scene.
Elizabeth
(Coming over his body) A good director can handle a project and a woman perfectly at the same time. (She touches his face.)
Director
But I cannot love a woman and make a film at the same time.
Elizabeth
Then you first love a woman
(She tries to kiss him and he pushes her away. She fells on the ground and he too fells over her. She holds him tightly. She is trying hard to love him while he is trying hard to save himself. Sometimes she is up and sometime she is down. But she is holding her tightly. Some knocks the door, both of them looks to the door. Again the door is knocked and she is irritated to listen the knocking sound.)
Director
(Looking to the door) We will try this job next time.
(He stands and goes to the door. When he opens the door, he sees all the media men are standing there with there camera. He looks to them with anger eyes.)
the first lady journalist
(recognizing him) He is the director of this film !
(Director looks back to Elizabeth, who is standing at her place with frustration.)
(Director goes out in the gallery, and all the press men follow him.)
Second lady Journalist
We want to talk to you.
the third lady Journalist
Would you like to tell us something about your moive?
the first lady journalist
How Jelly is working with you? Are you exposing her as sexy bomb like her other film ?
A man journalist
Why did you hit Peter?
(Director goes ahead without answering their questions. All of them are running behind them. He comes to a big hall and looks around. Max runs fast to him.)
the third lady Journalist
Why did you hit Robin? Do you think he is capable to direct a film?
Director
(to Max, with a fanatic loud tone) I want all these noisy creatures out of set.
(All of Journalist looks to him with surprise.Even Max do not understand what to say right now, but quickly realizes that Journalist must be removed from there.)
Max
(To all journalists) Please come out of the set. What information you want I will give you.
(Director goes ahead)
the first lady journalist
(Looking to going director) Oh, He seems violent ! I want a date with him.
the third lady Journalist
(Looking to Max) What is wrong with him?
Max
It is his first film, so he has lost mental balance... You know it is very common with a new director.
the first lady journalist
What he does when he loose his balance, I think he might be very forceful with a woman. I know Jelly, I am sure she will be mad behind him..
Max
I am your well-wisher, so I want to tell you something off the record. He is a tough man...keep distance form him....He has knocked down Robin and Peter.
the first lady journalist
Is he director or boxer ? May I see the shooting.
Max
Impossible!
the first lady journalist
There is no impossible in my dictionary.
Max
I cannot help you now. The last scene of the day is to be shot, You can catch him after the shooting is over.
(Max runs to library set.)
the first lady journalist
I want to see the shooting.
Max
the mad director will kill me, try to understand.
(Max runs to library set.)

Cut to...


Scene 23.
Character : Peter, Rose, Liza, Director, Jill, Nick and Max, Jelly. Jack, some four assistant camera men, some light men, spots men and media persons.
Ent/Day/ In side library.
(Liza has almost re arranged the set, she is still busy with the bookcase, Peter is sitting on a chair, smoking. Rose is arranging a camera. Nick is standing besides Peter and Jill is helping Liza. He is giving her books one by one form a table she is putting them in bookcase, without looking to her. Director enters into the library with a state of hallucination. He is watching the set, and walks to Liza.)
Liza
(Without looking Jill,) Give me Social contract.
Jill
What contract?
Liza
Social contract.
Jill
I am giving you books, not any contract.
(Director listens their conversation and looks to the table, where the social contract is laying among many books. He picks up the books unconsciously and gives it to Liza. Liza without looking to director takes the book and reads it enthusiastically)
Liza
Social contract! ( Director is standing there in a state of hallucination, He is unaware what Liza is doing. She puts the social contract on the top of the bookcase, and have some distance with the bookcase, and looks to the book. She is very much satisfied and happy to see the book on the top.)
Liza
(Jumping with excitement) Oh! It is great.
(When she jumps, her heel of the sandal jump come down on director's feet.)
Director
(Jumping hard) Oh, my God!! (He takes his one hand in his hand and jumps with only one leg like a frog. Liza looks to him and comes to know what she had one with him. She runs fast to him and takes his leg in her hand, and starts opening his shoe. Director is still standing with his one leg. Liza is doing with the shoe in hurry, and director looses his balance and fells down on the ground.)
Liza
(Still holding his leg, and looking to the director, who is in pain after falling down) I am sorry, really I am very sorry.
Peter
I think this lady is doing great!
Director
(standing up, looking to Peter) You are still alive?
Peter
(With irony )How can I die without completing your movie?
Liza
Director
(In angry tone) I will not allow you to die without completing this project. Why are you sitting here, I want everything in a proper way.
Peter
I have pain in my back, I am unable to move.
Liza
(Looking to director) I am sorry.
Dirctor
(to Liza) Would you mind to do your work please ?
(Peter starts smoking fast)
Rose
(With a little hesitant, to director) All cameras are ready, sir.
(Max comes very fast in the liberary, He is looking to Rose. Rose looks to him and says slowly)
Idiot !!
(Director comes to Rose, feeling little pain in his feet. He looks into the camera.)
Director
(Looking to Max.) Call Jelly, fast.
(As soon as Max turns to door, all the media men enters into library. Director looks to them and looses his temper.)
(With a fanatic tone) What the hell you all are doing here? Get out!!!
the first lady journalist
I want to know about your movies
(Max stops and looks to them in bewilderment. )
Director
(to Max, with an extreme angry tone) Why are you standing here, call Jelly, run fast.
(Max runs out.)
(Turning to Journalists) Would you mind to get out, please!
A man journalist
We are Journalist, you cannot treat us like that.
Director
(Director comes to him) Oh, really ! (He thinks to kick him, but anyhow controls himself) You are a journalist. (making his mind cool.) Let me treat you in a nice way. What do you want to know?
A man journalist
Jelly is a sex bomb, How are you exposing her in your movie?
Director
(With control irritation) Intelligent question! (Loosing his control) Who made you journalist?
Sex is rooted deep in your mind, and you always write about sex...Do you know what is the meaning of a movie?
A man journalist
You are not supposed to ask question. Asking question is Journalist's work.
Director
Who has given you this right? And to whom you are asking the questions?
A man journalist
I am working for my newspaper, and for it he is paying me.
Director
And I am working for people...I want direct communication with the people....I do not want brokers between me and people.
the first lady journalist
What you are cooking for people? I mean what is the story of your movie?
Director
Do you know about Jacobin club?
the first lady journalist
What is it?
Director
Good question! It is club whose members would sip liberty, equality and fraternity....and latter started drinking royal blood and then common blood and then each other blood.....
the first lady journalist
I cannot get it. It is like a riddle....and I love riddle.
A man journalist
Is Jelly happy with you ? Her fans always wants to see her boobs and...
(Jelly enters into the library with Max. All of them looks to her. Media men runs to her.)
Director
(To Max) Throw all the vultures out of the set.
Jelly
(Looks to angry director and then to media men. She smiles)
A man journalist
Tell me something about your role, (Looking to her new french dress) I do not think your fans would like you with this dress.
(Director comes to him, with extreme anger)
Director
And I do not think, you will stand before my fist.
(With full speed, he strikes over his face with his fist and the journalist fells down.)
(Looking to Journalists) Get out.
(Some journalist photographers take the falling journalist photos quickly. Director looks to them and goes out of control, He looks to Jill and and Nick,) Throw him away.
(Both of them takes the laying journalist and throw him out of the gate.)
Director
(Looking to all journalist)
Any question?
(All of them quickly go out. The first lady journalist looks to him with temptation, and goes out slowly. Liza is surprised to see director's action. Peter is still smoking as if nothing has happened around him. Jelly is little afraid to see it. Rose is standing besides her camera with bewilderment. Director comes to Max)
Director
(With extreme anger) How they came to the set?
Max
I warned them but they did not care about of it.
Director
Really!!
(He hits his face with his fist and Max looses his conscious, but he is sill standing, Peter who is sitting on chair besides him looks to him, realizing he is to fall on him, he quickly vacant his place. Max fells down on the chair. He looks to Falling Max and smokes fast. Director looks to Peter.)
Are you feeling better, Peter? Come on. We have to do a lot of work together.
(Peter is smoking fast)
(Looking to Liza) Set is ready?
Liza
Oh, yes!
Director
(Turning to Jelly, very gently) My queen ! It is your royal library....and you always enjoy sitting her...Where is Leder?
Jack
(Appears at the door)
I am here

Cut to....

Scene 24.
Characters: Peter, Rose, Jelly, Liza, Jill, Nick, Max, Jack, Director, some camera men and spot boys.
(Jelly is sitting on a chair. Jack is standing before him. They are ready of take. Director is looking them through a camera. Peter is working over a camera. Rose is standing besides him. Jill and Nick are standing besides director. Max is still laying on the chair unconsciously. Liza is decorating the table with flowers. )
The director
(In loud voice) Silent! Light!!, Sound !! camera !!!
(Nick come with a clap before camera.)
Nick
(In loud voice) Mystery of history! Scene 81 take one.
(Liza come out fast from the frame)
Jelly
Meo! You have ...(She stops, as if she has forgotten the dialogue)
Director
(In loud voice) Cut...(Looking to Jelly) You are forgetting dialogue, and it is affecting your expression. You want a chance to read it again ?
Jelly
Oh, no thanks! I will do it.
(Director looks through camera agains)
Nick
(In loud voice) Mystery of history ! Scene 81 take two.
Director
Action !!
Jelly
I am not feeling comfortable.
Director
What is the problem?
Jelly
I do not know.
Director
It is a very simple scene, You are just talking to a third state leader.You can do it easily. Let us try again.
(Again looking through camera.)
Nick
(In loud voice) Mystery of history ! Scene 81 take three.
Director
Action !
Jelly
Meo! You have read...Oh no,
(Director comes straight to her)
Director
(with a little irritation) Why are you not acting well ?
Jelly
(Looking straight into his eyes, with full confidence). I am Jelly. Tell me Jelly, may be I get my sprit.
Director
You are queen.
Jelly
(slowly but aggressively )I am Jelly, Do you understand? I do not think a director can lead me on the set without leading me in the bed. I want you tonight.
(Director understands that she is serious)
Director
Its all right, You are Jelly. Jelly, Are you ready for take?
Jelly
Good !! And what about tonight?
Director
(Looking to her eyes) I will think of it.
Jelly
I am not concerned with your thought. I want you means I want you. Is it clear.
Director
Ok, I will be with you.
Jelly
It sounds good. Now I am ready for take.
Director
Thanks you.
(Director comes to the camera, and looks to Nick. Nicks runs fast with clipboard.)
Nick
(In loud voice) Mystery of history ! Scene 81 take four.
Director
Action !
Jelly
(Sitting on her chair and looking to Jack)
Meo, You have read a lot of books...and you are leader...Can you tell what my subject is thinking about me?
Jack
Your highness! You are very much liberal, but people are not always liberal. They are always more demanding...
Jelly
(She stands and walks to the bookcase.) What do you think about Jean Jacques Rousseau? He is discussed all around.
Jack
He says that that the kings are not the representative of God, but they are chosen by the General Will.
Jelly
Do you believe in his thought ?
Jack
Common people want to believe in it.
Jelly
How they will lead a normal life without king ? You are a leader so you can tell me very well, Are you not a leader ?
Jack
(His mind come to the earlier track) I am a leader ! No, I am a dog. Yes, I am a dog. I am a mad dog. I will bite the monarchy and it will die of my bite. Yes I am a mad dog…You sent me to the legislative. I will bite the monarchy.
(Unconsciously, he says the dialogue with full expression and starts barking. All the units looks to him with surprise. )
Director
Cut. What the hell you are doing?
Jack
I am a mad dog, yes ! yes ! I am a mad dog
(He barks continuously)
Director
Keep your mouth shut.
(He keeps his mouth shut and looks to director as if he is recognizing him.)
Jack
Perhaps I have gone mad (Looking to director) and you are responsible for it.
Director
control yourself. Sweet Jelly, would you mind to give him a q?
Nick
(In loud voice) Mystery of history ! Scene 81 B take four.
Director
Action
Jelly
How they will lead a normal life without king? You are a leader so you can tell me very well, Are you not a leader ?
Jack
People will be governed by elected people.
Jelly
(Picking up the social contract) And will be criteria of election? Do you believe in wisdom of people?
Jack
People believe in their wisdom.
Jelly
And you want to come in the third state, and for it you need my blessing, where is the general will? I think only scoundrels will manage to come in the third state, and they will ruin the people through their bad practices like you. But do not worry I will be glad to see you in the third state..I want to see how my people govern themselves without a queen.

Director
Cut to...

Jill and Nick
(Together) Cut to.....
(All of sudden Max gets up)
Max
Cut to...Cut to....Cut to....
Director
Pack up! (He comes to Jelly) You have done a great work.
Jelly
Really, but never forget, I want you in bed my tonight. I am Jelly, I get what I want.
Cut to....

Nothing like that (Scene-17-21)

(Alok nandan, Dedicated to a far voice.)
Scene .17.
Characters : Nick, Robin, Jill and director.
Ent/Day/ In side a big hall.
(Director is sitting on a chair and watching his shooting chart. Nick and Robbing is standing besides him.)
Nick
Some media men have come here, and they want to see you.
Director
But I do not want to see them...
Nick
But it is important for....
Director
(In a fanatic tone) I do not want them here, that is all. They are the disturbing creatures...always ready to bark and bite.
Nick
At least we can give them briefing.
Director
(Looking to Robin's black face, in an irritating mood) Ok, Robin! Go and show your face to press. You want to do a film independently, may be it will help you. Are you willing to face the press?
Robin
(with little hesitation) But what I will tell them?
Director
I think your black face story will be a great new item for them....Seeing your face they will cook their stories...Run fast, we have to do a lot of work.
(As soon as Robin moves to go, Jill comes very fast to director. Robin stops and watches him. Jill is breathing heavily. At the same time the sound of the bookcase fall comes from the set. All of them look to the sound. Director leaves his chair and runs to the sound. Jill, Robin and Nick follow him.)
Jill
(Running with director) Jelly is not ready to listen anything. She is behaving like a queen and asking for you.
Director
(In a tense mood) Have you explained the scene to her?
Jill
No, she is not ready to listen me.
(All of them are running fast. Elizabeth comes very fast to them. She too is surprised to listen the sound of the bookcase fall.)
Elizabeth
(Coming to the running director) What happened?
Director
I do not know.
(He goes ahead and Elizabeth follows him with all his three assistants)
Cut to...

Scene 18

Liza, Peter and Rose, Max, Nick and Robin, Jill, director, Elizabeth.
Ent/day/ in side library.
(Peter is still under the bookcase. He is smoking continuously. Max, Rose and Liza are trying to uplift the bookcase from his body. They are struggling hard. Max is still excited and watching Rose breast, who is doing hard to uplift the book case, that are just before Max's eyes. She is understanding the intention of Max's eyes and abusing him badly.)
Rose
I will kill you!!
Peter
(Under the bookcase, cigret is still in his mouth. His mouth is to the ground and the bookcase is over his back, his whole body is covered with the bookcase, only his face can bee seen)
You girl! You are planning to kill me.
Rose
No, sir. I mean...(she looks to Max, who is still looking to her big breasts, because she is half standing and her both hands are busy with the bookcase like the hands of Max and Liza. The bookcase is heavy so they are unable to uplift it together, but any how saving Peter.)...
(to Max)..How dare to do it...You know, you are a big rascal...
Peter
Am I big rascal!! You never forget that I am your boss and I can fire you.
Liza
Have patience! We are trying our best to save you.
Rose
(Rose's hair touches the face of Max and he pushes his face ahead to touch her lips. His mind is occupied with Sexual passion)
It is too much! I will kill you, certainly I will kill you.
Peter
(With loud and angry tone)
And I will fire you, certainly I will fire you.
(His cigret fells down from his mouth. Director comes to the door and sees them. He walks fast to Peter who is still laying under the bookcase. Jill, Nick, Robin and Elizabeth enter into the library. They come around Peter and watch him)
Director
(In an angry tone) What the hell is going on here?
Max
(Looking to Director) Peter is in trouble and we are trying to save him.
Director
(Looking to Peter) He always creates problems. How can he be in trouble? He is at his right place now. (He looks around the set and then to Liza.)
Liza
I am sorry.
(Director says nothing but looks to Elizabeth)
Elizabeth
(Looking to Robin, Jill and Nick)
Put away the bookcase, otherwise Peter will die. Do fast.
(All the three assistants help Liza, Max and Rose. The bookcase is turned away. Peter takes a deep breath and looks to Rose.)
Peter
You want to kill me?
Rose
No, sir. Actually it was Max...
Peter
(In barking tone) Just shut up...
Elizabeth
How it all happened?
Director
I am not interested in this incident, I want my set ready within fifteen minutes... (Looking to Peter)I would be happy to see dead Peter.
(When Peter tries to open his mouth, director pick up the burning cigret and thrash it into his mouth. He starts smoking fast.)
Jill
Jelly is asking for you.
(Director looks to him as if he has not listened him.)
Elizabeth
(Looking to Director, and arranging her dress) Some press men has come here. I want to attend them with you.
Director
Robin is going to meet the pressmen, You can attend them with him. I have to finish a lot of works.
Elizabeth
I want you, not Robin.
Director
(In an irritating tone)The set is spoiled already, and queen is asking for me...and I have to shoot this scene before the sun set. So please attend the press with Robin, I will see you latter.
(Meanwhile Liza is again busy with the set. she starts collecting the books. Director looks to Liza without any feeling)
Elizabeth
No, I want you.
Director
My gracious lady! I want to save your money and my time. This project must be completed with it schedules. I hope you will understand it.
(He turns to the door and walk fast.)
Only fifteen minutes!!! I want my set ready.
Peter
I am feeling pain in my back.
Director
I am sure you will not die till the end of this project. (he turns and looks to Elizabeth) Honey! I think you will enjoy press with Robin.
(He goes out)
Cut to...
Scene 19
Characters :Jelly, director and the dress man.
Ent/day/ dressing room.
(Jelly is sitting comfortable in her chair, and the dress man is fitting a shoe in her feet. Director comes in the room and Jelly looks to him. Her eyes are shining to see him as if she has made some plan regarding director. She looks to dress man)
Jelly
You just go out.
(Dress man looks to her and then to director. Director shakes his head in affirmation and he goes out. She forwards her leg to director and shakes them, looking to his eyes.)
You consider me as your queen only?
(Shaking her legs)
Director
I hope you too will consider yourself as queen only. Why are you not trying to understand the scene?
Jelly
Your queen is blockhead?
Director
My queen is a real lady with her libido. She has everything and she believes the world is full of happiness and pleasure while her subject is highly dissatisfied. She is not a blockhead queen.
Jelly
I wanted to listen your vision regarding queen. I think you should not send your blockhead assistant for me. He is misinterpreting the psychology of queen. (Looking to her legs and laying shoes) Would you mind to serve me? It is queen order.
(Director sits under her feet and picks up a shoe from the ground and holds her leg in his lap.)
Director
You have beautiful legs.
Jelly
(Looking into his eyes) All the directors are always ready to kiss them...
Director
You are using your state treasury in your amusement and it is almost finished, while your subject is dying of hunger. And you are completely unaware of it.
(He puts a shoe in her feet and takes her another feet in his lap.)
Jelly
Even all the co-stars are mad behind me.
(She puts her another leg over his shoulder, and shakes it, looking to his eyes). You know all the youth of this era wants me.
Director
She has good collection of books, but never bother to read them, but she is always eager to listen them, and for this purpose she has appointed some people who read books for her.
Jelly
Does your queen love some one like a woman?
Director
She loves herself only.
Jelly
(Loosing her patience) How can a woman loves herself only? All women want men's love.
Director
(Having puts on another shoe in her leg, he stands up.)
I am going to shoot you in a library. You are going to meet a revolutionary leader of third state, who is eager to serve you. In stead of it, he wants your favor because he wants to enter into the national assembly, although the election of the national assembly has not been declared.
Jelly
I am feeling humiliated.
Director
Why?
Jelly
Because you are always treating me like a queen, while all the film industry is highly interested in my sex appeal.(In a fanatic way). Ok, on the screen you can take me as your queen but off the screen you should treat me like a woman....who is ready to fall in love with a man like you...You are the director of this film...If I start loving you, it will be the great gossip news for the media...And every day I want to see myself in gossip column...
Director
But I do not want myself in gossip column. I only want to finish this project.
Jelly
(In angry tone)You are a big rascal. I will leave your project. People love to read about my love affairs...lusty act...so I always want some scandalous stories around me....
(She holds her shirt.)
Director
I will love you to lead on the set, my queen.
Jelly
And I will love you to lead in my bed.
(She holds him in his arms and tries to kiss him. Roma enters into the dressing room all of sudden and looks them. Jelly sees to Roma.)
Roma
I am sorry, I am looking for dress man.
Director
(Coming out of her arms)
I would like to see you on the set. (He comes to Roma) Thank you.
(He goes out.)
(Jelly looks to Roma and says aloud)
I do not want to see you again in my room without knocking it.
Cut to...
Scene 20
Characters: Elizabeth, Robin and six media persons, two of them from print and four of them form electronic media and four camera men.
Ent/day/in side a room.
All the four electronic media journalists are girls. Elizabeth and Robin are sitting on two chairs side by side around a round table. Four camera men are moving their cameras around their faces.

First lady journalist
It is an historical film ?
Elizabeth
At this stage we cannot say anything about this film.
Second lady journalist
You are working with a new director, do you think he is capable to handle Jelly, the sex bomb. She is very hot...Are you going to expose her in new way?
Elizabeth
(Looking to Robin face) She is very supportive, and very enthusiastic...and she acting according to our script.
Second lady journalist
But it is said that she is going to leave this project because she is not getting chance to expose her body?
Elizabeth
I think you have got wrong message. Each and every one of this unit is very much satisfied with this project.
A man journalist
But some historical scenes were very much horrible, as it is said?
Elizabeth
It is not a horrible film, but a comedy film.
Third lady journalist
Can we see Jelly or the director?
Robin
Not now, as they are busy.
(A canteen boy comes and serve them wine and
something to eat.)
Third lady journalist
(taking wine, looking to Robin) Why your face is black? It is said a real fighting went on here. It is true? Even the camera man was beaten on the set and he is thinking to suit against director?
Robin
(Touching his face) I am too thinking to suit against director. (Looking to Elizabeth) May be I will do it after getting a film independently.
Third lady journalist
Do you have any problem with director ?
Elizabeth
Thank you very much for your coming here. We will call all of you in the premier of this film. Thank you,Thank you very much.
(She stands up and Robin follows him.)
Third lady journalist
But....
Elizabeth
Thank you very much.

Cut to...
Scene 21
Characters : Robin, Elizabeth and director.
Ent/ day/ In a gallery.
(Robin and Elizabeth are walking, director is coming from the opposite side, he is in his own world...unaware about anything...
Elizabeth
(In an irritating mood) Who called the press here?
Robin
How can I say? (In an tempting way).
Elizabeth
I do not want any negative story about this project in the media. You must check yourself.
Robin
I think I can direct a film better than this director. You should trust me. And above all, I will serve my best to you.
Elizabeth
(having an irritated artificial smile over her lips) Oh, how?
Robin
You are looking beautiful.
Elizabeth
(stops and looks to him, showing she is tempted to him, but she is highly irritated) I would love to hit on your balk part.
Robin
(with a surprise and confident that she is going to hit him)No !!
Elizabeth
(with force) Yes !!
(Elizabeth slaps him, and director comes there, Director is in a state of hallucination. He does not know what has happened before him.Robin looks to director without any word. Elizabeth too looks to director.)
Elizabeth
(She lost her control, to director) I want to talk to you just now.
Director
(Realizing she is telling him something) Are you telling me anything!!
Elizabeth
(Breaks out with anger) Am I talking to your ghost?
Director
(Coming into real world) Oh, Sorry!
Elizabeth
(Controlling herself) It is enough, You know, I want to talk to you right now. Come with me. (She looks to Robin) Idiot!!
(Director looks to Robin, as if he is feeling something wrong with him.)
(Turning to director) Do not stare me like an owl...Come with me. Press is asking a lot...Who called the press here?
(Director looks to Robin) Who called the press?
Robin
How can I say?
Director
Find out.
Robin
How can I find out?
Director
(Looking to Robin) How can I say?

(He kicks his face, he is fell down.)
Elizabeth
It is very bad, You always beat people.
Director
Really!!
Elizabeth
But some people must be beaten.( Looking to Robin)...I think your dogs are fool.
Come with me)
Director
I want to see my set.
Elizabeth
(She holds here hand leads him to her room. Some reporters enters into the gallery.When they look to the flat Robbin on the ground, they run to him, with there cameras. They starts taking photographs of unconscious Robin)
Cut to....

Nothing like that (|Scene-9-16)

(Alok nandan, Dedicated to a far voice.)

Scene 9
Characters : Director, Elizabeth, Max and Jill, Robin.
Ent/Day/ in a room.
(Elizabeth is moving here and there in the room angrily, She is mumbling.)
Elizabeth
How much time he is taking! This project is being delayed due to Liza. Oh! Where is my coffee? I cannot tolerate such behavior with me...After all I am the producer of this project...
(The director, Max and Jill enter into the room. All of them see Elizabeth who is still mumbling. Max and Jill look each-other and then to the director who is in his own imagination. He is looking to Elizabeth as if he is not understanding why she is here.)

Elizabeth
I will not allow any one to underestimate me...Hum! Let me see what can do this man...
(She turns and looks to Director)
Director
(In a state of hallucination) What are you doing here?
Elizabeth
What I am doing here! (In a loud and angry voice) You asked me to stay here. You have forgotten?

Director
I asked, but why?
Elizabeth
It is too much.
Max
Madam, You know what happened on the set..?
Elizabeth
(turning to Max)I am not talking to you. I want both of you get out.
(Max and Jill look to the director)
Director
(Looking to Elizabeth) But I have to instruct them regarding the next scene.
Elizabeth
(In angry but mysterious tone) And I have to instruct you regarding this project.
Director
Ok. (He looks to Max and Jill and both of them go out, with mysterious smile. Director turns to Elizabeth.)
Elizabeth
(Coming to director) You are looking tired. I think you need some rest.

Director
I am alright! I want to complete my task.
Elizabeth
(In irritating voice) Your task is to explain me everything what is going on around here.

Director
(In same irritating voice) My task is to compete this movie at any condition.

Elizabeth
You do not know me, I will drop the project.
Director
Because I am not satisfied with you.
Elizabeth
I mean with your unit. Everything is being delayed here.

Director
But I have taken the perfect shots...
Elizabeth
Perfect shots !! (Coming to him) I want to see your perfect shots.
Director
You have to wait. I will see you the rush late night.
Elizabeth
(In a very sexy tone) How will I spend my day?
I can wait for your rushes...if (She comes close and have her hands over his shoulder, Robin enters into the room all of sudden speaks quickly)
Robin
Sir, Jelly is our of mood. She is not ready for next shot...she is asking for you.
(Then realizes that Elizabeth is having her arms around the director.)

Director
What is the problem ? Let me see her. Excuse me, honey. I am just coming. (Very gently he freed himself form her arms and tuned to the door. For a little while Robin looks to Elizabeth and feels strong desire to catch her but thinking of the consequence he controls himself and runs behind the director.)

Scene 10
Characters : Jon, a doctor, Roma.
Ent/ Day/ In side the dressing room.
(Jon is sitting before a big mirror. His whole face has turned into black. He is very calm while the doctor is mending his face. Roma is standing besides him and watching his black face.
Roma
I had warned you not to touch the queen hand.
Jon
I improved my scene, and it worked. How I was doing before the camera. It was the golden scene in my life.
Roma
Queen also improved her scene with you !
(The doctor put some medicine over his face and he felt some pain.) Any way you are big gossip today.
Jon
You mean I am popular ?
Roma
(In satiric way)Very popular !! All the unit is talking about you and queen. Director is looking for you to congratulate you.
Jon
He has to. After all I have acted greatly. (Looking to the doctor who doing his face) Doctor are you healing me or killing me? You just leave my face, (Looking to Roma) Would you mind to do it please! I do need a doctor. A beautiful woman's hands are more effective than doctor's medicine. Please, doctor do not mind.
(Doctor goes away and Roma does his face. He holds her in her arms, sitting on the chair.)
I am very happy to improve my scene.

Scene 11
Characters : Jelly, director, Robin.
Ent/day/ Jelly dressing room.
(The director is sitting on a chair, Robin is standing besides him and Jelly is standing in front of director and she is very angry.)
I do not want to work more with you. Your artists are not at your command. It is horrible!! I do not want this film.
Robin
(In pleasant tone) Again we have to search a new heroine, new audition...!
Jelly
Look! Even your assist is not at your hand. If you want to suit me, suit me. I will talk to my advocate.
Director
Robin! I want to cup of cold coffee here. Quick!

(Robin looks to the director and runs out. He turns to Jelly.)
Jelly
(In angry tone) Looks to my body. Do not you think it should be exposed on the screen ? In my earlier films all the directors wanted me in less clothes...because my audience want me in less dress.....do you know how they write to me? They are mad behind my...(she looks to her breast)...and you ! You are using this nonsense dress (Looking to her special French dress.)
Director

You have done a great work. I do not want to use you as a sex symbol in this film......You are a queen here...If you do not want to do this film, I will not force you.
Jelly
A queen cannot be sexy? How many queen have you seen in your life?
Director
Not like you.
Jelly
What do you mean?
Director
I know you can thrill men with your....My queen thrill with intellect....

(tempts for director's vision for a little while, ) How was my shot?
Director
You will fuck the audience.
Jelly
How?
Director
Excellent shots !!!
Jelly
Can I kiss you !
Director
My queen does not kiss anyone
Jelly
I am Jelly.
Director
(Looking very gently to her) You are my queen, not Jelly.
Jelly
shut up!!
Director
good word in the court. I always like you in this form.
Jelly
I say just shut up! Why should I work with you?
Director
Ask yourself.
(Robin comes in the Room fast with two cups of hot coffee. Director comes to him and takes two cups and goes to Jelly. He serves one Jelly, and ship, it is hot cofee, he looks to the Robin. Robbin looks to him as if he does not know about the difference between the hot and the cold coffee.)
What is it?
(Jelly looks to him with little surprise)
Robin
Cold coffee.
Director
Are you sure?
Robin
Yes
Director
(Looking to Jelly) I am sure my queen would like it.
Jelly
(Look to her glass and test it. and she throw the glass to Robin)
Cut to....

Scene 12
Characters: Jon, a doctor, Roma, director and Robin.
Ent/day/ dressing room.
The director enters into the dressing room with Robin and doctor. They see Jon and Roam are kissing each-other.
Jon
Sorry!
Director
Who the hell tell you to touch her???? (He is out of temper)
Jon
(John looks to Roma who is still in his lap.)
You mean to this young lady?
Director
(Loosing his control completely) I am talking about queen.
Jon
I tried my level best to improve my scene. What do you think did I improve it in a nice way?
Director
Have I ever told you to improve??
Jon
So what!
Director
How can I beat your face? There is no place.
Jon
(He takes Roma away and stands up and comes to Director with full confident)
I do not mind?
Director
Oh really!
(Director hits his face with his fist and he is knocked down. He looks to the doctor and the doctor starts giving him treatment.)
Doctor
Now it will be easy for me to treat him. (Looking to Rama) What do you think young lady?
Robin
(to Roma) Would you mind to treat me?
(Doctor looks to Robin with blank face. But he feels Robin is going to take up Roma as Jon. Then he looks to Roma who seems ready to fall with Robin. Director comes to Robin and looks into his eyes)
Director
You do not understand the difference between cold and hot coffee ! Hum!!
Robin
A man is not always wise.
Director
You are right!!
(He hits his face with his fist and Robin is knocked down. Director turns to doctor.)
You have to mend him too, doctor. Thank you.
(He goes outside the dressing room. Doctor looks to Roma and then to Jon and Robin who are knocked down on the ground. He holds Roma in his arms with full confident and she does not resist him. Both start kissing each-other while Robin and Jon are laying on the ground unconscious)
Cut to.....

Scene 13
(Director is alone, moving ahead in a big hall.)
The set is being shifted quickly. He comes out of the set and walks to the main gate of the set. Max runs to him fast.)
Director
I want everything properly. No more mistakes. Robin has been knocked down. Where is Peter? Control him. I do not want to bark more with him.
Max
He never wants to talk to assists.
Director
And I do not want to listen no from my dogs....Just handle him.
Max
He is a terrible dog.
Director
More than you? Let me see him.
(He comes to Peter who is watching Rose. She is very much busy with the camera.)
Director
Is everything ok Peter?
(Peter looks to him like a fool man. He does not know what to speak and how to speak. Rose looks to director.)
Rose
(In a very natural tone) Raw stocks have not been put in the two cameras.
(Director looks to Peter and Peter first looks to Rose and then to director. He smokes quickly.)
Director
(Loosing his control) What about the other two cameras?
Rose
They are perfect. I have checked them.
Director
(To Peter) Would you mind to throw your cigret away and talk to me?
Peter
I am sorry.
Director
You have fucked my scene.
Peter
I will take care in future.
Director
Who the hell made you camera man of this project?
Peter
Do not cross your limit. I am a well known camera man in this film industry. I have completed many movies projects.
Director
Really!!
Peter
And I am looking for an Oscar winning project.
Director
Oh! My barking dog now wants to win Oscar!
Peter
So you cannot teach me how to handle camera.
Director
Really!! (He looks to Rose) I think your boss needs a good lesion.
(He turns to Peter and knocks him down with one fist. Max and Rose looks to laying Peter and standing angry Director. Director turns to Rose.)
Where is his cigret?
(Rose quickly searches the ground and finds out the burning cigret and takes it up and looks to Director for next order.)
Put it in his mouth, I am sure he will like to smoke
(Rose puts the cigret in his mouth, and he smokes it with full speed, although he is unconscious.)
Director
(Looking to Rose) You must co-operate with my dog.
(He looks to Max) Is it ok?
Rose and Max
(together) Yes sir!
Director
I want my set within half and hour.
Max
I am not sure of Liza as she is always late.
Director
Do not worry about her, mind you own business.
(He goes away.)
Cut to....

Scene 14
Characters : Director and Liza, Jill
Ext /day/A public political stage.
(Liza is working over working on stage. He is working fast with the black paint. She is standing over a ladder. She has a brush in her one hand and a box of an open paint in her second hand. She is very much busy doing brushing. Director comes to stage and watches it. She is unaware about his presence. Director comes to the stage and stands besides the ladder. He is watching field of action. He is lost in his own world. All of sudden Liza looses her balance over the paint box and the whole paint of the box pour down over his face and body, even the box drops over his head. His face becomes black. He looks to Liza and Liza comes down fast.)
Liza
(Looking to director) Sorry!
(He looks to her face but says nothing. It seems that he is in his own imaginative world. Jill comes fast to stage. He is loosing his breathe.)
Jill
Elizabeth is calling you. Peter has created some problem.
(Director looks to Jill and then to Liza. He slowly comes down from the stage and goes out. Jill looks to Liza and follows him quickly.)
Cut to...
Scene 15
Characters : Peter, Robin, Jon, Elizabeth, Director and Jill.
(Peter, Robin, Jon and Elizabeth are sitting around a round table. All the three men have black faces. Peter is smoking in his own style.)
Elizabeth
He has beaten all of you! It is interesting. All of you want me to kick off the director. Great!! But will you tell me please who will direct the film? And you all know very well that it is his script.

Jon
I do not want any action against director. (Touching his own face) But of course I will say, his hand is very hard....(In a dramatic style) harder than the shoes of queen.
Elizabeth
(smiling) And what about you Robin?
Robin
If you think better, I will direct this film.
Elizabeth
You are forgetting it is his script. And above all, I do not want you to direct my any film....If you are not comfortable with him you can walk on.
Robin
I want to complete this project.
Elizabeth
Good!! (Turning to Peter) I know you are always a dis-satisfied soul. What can I do for you? (In an irritating tone) Would you mind to stop smoking, please!
Peter
How can I tolerate a mad man? Look! what he has done with my face?
Director
(Entering into the room with his black face. Jill is following him)
Peter! You are looking beautiful. I think your wife will be happy to see it.
(Peter turns his face to him and smokes quickly. The director comes to the table and sits on a vacant chair.) What is your problem?
Elizabeth
He is not comfortable with you. You have treated him brutally. He is thinking to suit against you....

Director
(Looking to peter)Oh, really !! But May I know why? I would love to listen your words.
(Peter says nothing but smokes fast.)
It seems you have earned a lot, but I am sure your wife would not like to loose a single penny. You have done a blunder today, and now you are thinking to suit against me. Wonderful! Who is responsible for the two vacant camera.....Do you know if I suit against you how much money you will have to pay me....Be a good dog and do not bark more.

Elizabeth
(With a little surprise) What are you saying I am not getting.
Director
I am just imagining about his wife...(To Peter) Will she tolerate you without money,
Peter ?
Peter

You are a hell.
Director
(Looking to Elizabeth) Would you like to take some hot coffee?
Elizabeth
I will love hot...
Director
(Looking to Robin) Run fast....four hot coffees.
(Robin looks to him and runs fast to the door)
Jon
(looking to director) I hope you will not cut my improved scene during editing.
Director
And of course, I will not cut the improved action of my queen, (Looking to peter) Peter was it not great?
Jon
As a director, you must understand the heart of an artist. You know I was continuously thinking about that improvisation.
Director
I will think of it. But now your face it not fit for next scene...It has turned black....and I am making color film.
Jon
You have also contributed turning it black.
(Robin comes fast with a spot boy who serves them coffee.)
Elizabeth
(Taking a sip from the cup and looks to Robin)
It is a hot coffee?
Robin
Yes Madam!
Elizabeth
Are you sure?
Robin
(In angry tone) How can I man be sure after getting a knock down fist over his face?
(Max runs fast into the room)
Max
(To director) The set is almost ready, but Liza is still delaying.
Peter
She is always horrible.
Director
(Standing up) Let us start.
(He goes out of the room and all of the follow him)
Cut to.....

Scene 16.
Characters : Director, Robin, Max, Jill, Nick, Liza, Peter, Rose, Jack. Tam, light men.
Ext /day/A public political stage.
(Three camera have been set-up around the political stage. One camera has bee fixed with trolly. Liza is hanging some political posters around the stage. Each poster is explaining the dissatisfaction of the common people of France. Director sits on the trolly and looks the shooting field through the camera. He sees Liza through camera lens who is busy with her work. Robin, Max, Jill, Nick, Peter, Rose, Tam, light men are standing around the trolly. Jack is standing on the stage, remembering his dialogue, looking tense. A big crowd is standing around the stage.)

Jack
(With dramatization)
Yes, I am a dog. I am a mad dog. I will bite the monarchy and it will die of my bite. Yes I am mad dog…You sent me to the legislative. I will bite the monarchy.
Director
(In a loud voice) I do not want an artist or politician here...I just want a barking dog...I want a sprit of a barking street dog.
Jack
I am an actor, not a dog.
Director
Then you must be for this scene.
(Liza listens there words and runs fast from the stage.)
Who will speak from crowd?
(He looks to Max.)
Max
How can I say? You have not instructed me in this regard.
Director
This scene is not complete without crowd's dialogue, have you not read scene properly? Who the hell has made you my assistant?

Max
(He takes the scene from Jill's hand and read it quickly. )
Director
(Looks here and there and then sees Jon standing besides Peter)
I think your black face will work before the camera, Would you mind to stand among the crowd, of course you have to say some words.
Jon
I always love to act before camera.
Director
But I do not want any improvement, is it clear?
(Director looks to Max and Max provides him his dialoges. He takes it and advance towards the crowd in front of the stage.)
(Everything is framed properly according to camera angles.)
(Nick comes with a clap before camera.)
Nick
(In loud voice) Mystery of history! Scene 80, take one.

The director
Action !!
Jack
Yes, I am a dog. I am a mad dog. I will bite the monarchy and it will die of my bite. Yes I am a mad dog…You sent me to the legislative. I will bite the monarchy.
The director
Cut! ...What are you doing? Bark like a mad dog! You just imagine that you are a hungry mad dog who is ready to bite any one.
(Jack looks to him and recall his dialouges)
Ok next take.
Nick
(In loud voice) Mystery of history! Scene 80, take two.

Nick
(In loud voice) Mystery of history! Scene 80, take 3.


Nick
(In loud voice) Mystery of history! Scene 80, take 16.
(All the crew is tired to listen this. )
Nick
(In loud voice) Mystery of history! Scene 80, take 32.
The director
(Comes to tired Jack who is trying his level best to perform best. he looks into his eyes and say slowly)
You just repeat with me. I am a mad dog.
Jack
I am a mad dog..
The director
I am mad, mad mad dog.
Jack
I am mad, mad mad dog.

The director
(With full anger in fanatic way)I am mad dog, I am dog, I am a mad dog.
Jack
(In a same fanatic tone) I am mad dog, I am dog, I am a mad dog.

(Director quickly runs back to camera, and looks to Nick. Nick runs fast to the stage with his clip board)
Nick
(In loud voice) Mystery of history! Scene 80, take 33.
Director
Action!!
Jack
Yes, I am a dog. I am a mad dog. I will bite the monarchy and it will die of my bite. Yes I am a mad dog…You sent me to the legislative. I will bite the monarchy. (He performs excellently, and he starts barking like a mad dog as if soul of a dead dog has occupied him)

(Director looks to Jon who is standing in the crowd)

Jon
(with a fanatic angry tone)
Why appeal to the mob when 95 per cent of them do not understand politics, and can do nothing but mischief without leaders? And what sort of leaders do they vote for? For Titus Oates and Lord George Gordon with their Popish plots, for Hitlers who call on them to exterminate Jews, for Mussolinis who rally them to nationalist dreams of glory and empire in which all foreigners are enemies to be subjugated.'
Director
Ok!!
Rose
(to Peter, who is standing besides him) I am not getting the script. How French people of 1789 will talk about Hitler and Mussolini?
Peter
(Smoking his cigret) I good camera man never think about script, he always think technically.
(Director comes to Jon)
Director
(Director comes fast to Jon and grab his neck. In a fanatic tone) Where is Hitler and Mussolini in my script.
Jon
I do not know.
Director
Then how did you say it?
Jon
(With a little pride) I just improved it. How was my expression? (Looking to his eyes) You are free to hit me....
Director
I like you expression, but will cut you dialouge during editing.
Jon
Thank you.

(Jack is still barking and all the crew are looking to him with little surprise and smile.)
Peter
All the unit will go mad till the end of the shooting.
Cut to...