Nothing like that (|Scene-8))

(Alok nandan, Dedicated to a far voice.)
Characters :The director, Max, Jill, Nick, Jon, Peter, Rose Jelly, Robin, Jack, Liza, Tam. Roma, four camera men and some lights men.
(The director is standing besides Peter. He is lost in his own world. Peter is still smoking and setting a camera. Rose is watching how Peter is working. Max, Jill, Nick and Jon are standing behind the director.)
Peter
(Looking through the camera) I do not think this angle will work. If you want to catch this whole court, you have to start from…
The director
(Very normally) From your cigret !
(Peter looks to him, and smokes fast.)
You have your suggestion for your woman, and I am sure your woman too would not like your suggestion.
(Rose looks to the director as if she is ready to disobey of his master and join the directorial team.)
Peter
You want to open this scene from the painting frame. But where is the frame?
(Moving his camera to that part of the set where Liza was hanging a French art earlier.)

The director
(Looks to that direction) You are not seeing the frame? How can you see ? You know only how to bark. And when a dog barks, his eyes are closed. You stop barking and see to that direction.
(Peter sees to that direction)
Now are you seeing the frame?
Peter
(Realizing that the director still wants to cover that place, and something is being arranged the gap)
It is horrible to work with you.
The director
You are most welcome. I hope we will make a great movie.
(Jelly comes with the queen dress and the shoes. She is feeling uncomfortable. The director looks to Max. Max runs to Jelly.)
Jelly
(to Max) My shot is ready?
Max
The camera is just waiting for you. You have to sit on that important chair comfortably (He indicates to a well-decorated chair) and have to look to that painting. (He sees to the vacant chair)
Jelly
(Looking to that vacant direction with surprise) But where is the painting?
(Peter looks to the director, and then to the Rose who is standing besides him)
Rose
(In slow voice to the Peter) She will see the painting soon like you.
(Peter looks to her as if he will kill her then and there. She quickly turns her face to the vacant place.)
The director
(To Jelly) Queen you must take your position. (To Max) Max you help her. I want open my scene from the painting and then the camera will move to my queen. Where is the bishop?
(John runs fast to the director)
John
I am here.
The director
I do not want you here, Just stands besides the thrown.
(Max takes Jelly to the thrown. She is asked to sit on the thrown carelessly, She sat on the thrown. Bishop stand before her.)
Max
(To jelly) Now, you look to the painting. Are you ready bishop?
Jelly
But where is the painting?
Max
Madam! You just imagine that there is a beautiful painting here. And you are watching it, and trying to understand the painting. Bishop have to some words…but you are not careful about his words as you are very much occupied with the painting.
Jelly
I cannot do it without painting. I do not have that feeling.
(Meanwhile the director is busy behind the camera.He watches the frame and seems satisfied.)

The director
The frame is ok. Now I want the expression. (In a loud voice) Queen and bishop, are you ready?

Max
She is lacking feeling as there is no painting here.
The director
(In a fanatic tone) Is she the daughter of Leo nardo the Vinchi ! Tell her to look to that direction and imagine about her fucking boy friend who pleased her most in the bed. I want that expression! Is it clear Jelly?
Jelly
(In angry tone) Is it the way to treat a heroin?
The direction
I am not asking you to imagine me in your bed. I think you are always comfortable with your boy friend. So you should not have any problem. Just try, And I am sure I will get the real expression of my queen.
Jelly
You are impossible!!
The director
And you are very sweet!! Just try it.
(Jelly becomes happy and goes to the throne. she sits on it and looks to the vacant painting place.) I want a rehearsal. Are you ready Bishop?
John
(In a very stylists way like a superstar attitudes) I am always ready for acting.(He looks here and there)
make-up man come here.

The director
No more make up, please. I want a simpleton bishop. And you looks a real simpleton without make-up. Just go ahead.
(John comes near to Jelly and looks into her eyes with full confidence. Jelly turns her head to the vacant painting.)

The director
(to Max)Where is crowd?
Max
Crowd!
The director
(In angry tone)The regular attendants of the queen court ?
Peter
(In his harsh irony voice) A child takes nine months to come on the earth. Where will get crowd now?
The director
I want at least ten court persons in the court scene, including the most simpleton court's man. Do it now. I have instructed everything very clearly earlier.
Peter
You always have best command over your team! Our light men can act better in this film.
The director
(Looking to him) Some time you bark wise words. Collect all the men who are not active behind the screen. (Turning to the dress man) The dresses are ready for them?
The dress man
Yes! Our team has done a hard home work over it.
The director
(Turning to Max) Run fast. I want ten men with proper French dress.
(The dress man and Max runs fast to collect the men.)

Jelly
(mumbling) How horrific to work here. I cannot tolerate it.
John
(Coming near to her) I have improved this scene, would you like to give me a support please.
Jelly
I do not know what I am going to act here. So how can I know you have improved the scene. And above all, I do not want to talk to a Junior artist.
John
What do you mean by Junior artist? I may be an unknown artist but Junior one.
Jelly
(In angry tone,) I do not care. I am having the worse experience in this movie. Oh god, I do not know will this movie comes on box office or not?

The director
(Looking to Nick) Have you explained everything Jelly.
Nick
(In fanatic tone) How to dance under a rain!

Nick
But it is not a rain scene.

The director
(In cool voice)Thank you very much for your kind knowledge. It is not a rain scene. You are great. (Again in a fanatic angry voice) I am talking about this particular scene. What she has to act, and her would be her dialogue delivery style. Did you get the point?
Nick
(Nick He looks around and sees Jack who is still busy with his script paper. When Jack listen his name he runs fast to Nick. Jack looks to the director very proudly.)
Jack
Yes, I am a dog. I am a mad dog. I will bite the monarchy and it will die of my bite. Yes I am mad dog…You sent me to the legislative. I will bite the monarchy.
The director
(Indicating to Nick, to Jack, in fanatic tone) You bite this dog, I would love dog fighting here.
Peter
(to director) I do not think today you will shoot a single shot here.
The director
Thank you for your prediction.
Peter
You and your team only work on camera displacement. My rose can handle better all you creative world. (Looking to the Rose) Can you do it Rose?
Rose
I think so.

(Max and comes with ten people. All are in old French dress. Max asks them to sit in front of the throne of the queen. The director goes behind the camera again and check the frame.)
The director
(to Jelly) You just sit and watch the painting. When the second man deliver his dialogues, You put of your shoes and throw to him forcefully. You are free to use you next shoe according to your own way. You are a spoiled queen. You are free to do act freely in your kingdom.
(Turning to Max)
What people deliver the two dialogues from the crowd?
(The two people from the crowd says loudly)
We are sir. We have remembered all the dialogues.
Do not worry sir, we are the canteen boys here, and have seen many shooting. We know very well how to deliver the dialogues.
The director
Every thing is ok. No rehearsal just the final shot. Where is the puppy?
(a production man runs fast to the director with a basket)
Her is puppy.
The director
Go and put it on the queen lap.
(The production man runs to Jelly who is sitting very comfortably on the throne. He comes near to her and opens the box and take out a small dog. Jelly looks to him with irritation.)
The production man
Take it in your lap. (Without giving her any opportunity he puts the puppy in her lap.)
Jelly
I hate puppy! I cannot shoot with this puppy.
The director
You just think that it is your lover. You are very much in love with it. You just kiss it and let it kiss you. I want an intense relationship
Jelly
How can a beautiful lady like me love a puppy? I do not want it.

The director
Darling! My queen loves her puppy too much. And she does not mind to cut head of those who say anything against her puppy. And now you are my queen, so I will not allow you go without this puppy. Is it clear?

Jelly
But no one has tell me anything about it.
The director
Everything has been written very clear in my script. You should have read it before signing the contract. (In fanatic tone) I want my puppy in your lap means I want my puppy in your lap. (Being cool) May I know why do you hate puppy?
Jelly
It mouth smells bad.
The director
(Looking to the production man) Wash the mouth of the puppy and spread some decent scent over its body. (Looking to Jelly) Is it ok my queen?
(The production man takes some tooth pest and washes the mouth of the puppy and then spray some scent.)
Jack
(To director) You are treating a man like a dog and a dog like a man!
(The director looks to him but says nothing. He is still busy with his camera.)
(The production man puts the puppy again over her lap, and she looks to it in disgust. )
The director
Now you look to the painting.
(She turns to the vacant painting place with disgust and sees that Liza is hanging another beautiful painting there. The director is watching the painting through camera lens.)
The director
Peter! other four cameras are ready?
Peter
If your action is ready, I would like to handle my camera.
The director
Good. I want open the scene from the beautiful French painting.
Peter
(In his barking way) I do not care if this painting is beautiful or not. I will shoot whatever it is.
(The director leaves the camera and the Peter takes charge.)
The director
(In loud voice) Silent! Light!!, Sound !! camera !!!
(Nick come with a clap before camera.)
Nick
(In loud voice) Mystery of history! Scene 79 take one.
The director
Action !!
(Liza runs away quickly at the last hours from the frame.)
Peter
(Mumbles) horrible. (And cover the painting, the director listens his words but does not care.A man from the crowd comes near to queen and looks to the puppy of the queen)
The man
Queen! your puppy is very beautiful and smart. If I were this puppy, you would have me in your lap and touch my head through your beautiful fingers, and would give me testy and delicious food to eat…and of course some time you would kiss me.
(Jelly looks to him and smiles.)
Jelly
You are so smart! you want to be my puppy, and kiss.
(She puts out one of her costly French- shoes and throw to the man. He catches it and says gladly)
The man
(Proudly) Oh! You are so kind to me. It is a nice gift to me. I will take it to my home and worship it. Can I do, Queen!
(The queen looks to him with smile, shakes her head in affirmation. The man goes back to his place, having his shoe at his heart.)
John
For a good kingdom, it is important to have the subject dissatisfied. If they have enough to eat, they will start thinking and a thinking subject is never good for an empire and its activity. (He holds her hands and she open her another shoe and kicks more than sixty times. All the units realized the seriousness. and the director was very calm to see the scene, as if he was not watching the scene. All the fours cameras are moving all around the hall according to a plan way, and director was very much free. All his assist dogs are just watching the one way fighting. When Jelly flowed all her beating energy over the Bishop and exhausted she looked to the director. She throw the shoe to the painting and breaks it….

Iner cut....
Liza runs fast to the painting and the director camera moves to the painting, she was trying to hang again.
(He looks to Peter.)
I love you Peter.
Peter
Are you sure you are making a film?
The director
(Looking to His assistacenes )

Cut to

(All his assistants dogs bark in a lound voice proudly)

Cut to
……Cut to……

Some pages of a torn-diary (part -25)

by Alok nandna Dedicated to a Nightingale
23 October.
All the students are very much busy in the preparation of the examination. I always hate examinations. How can a format evaluate a man's ability? Examination is not my concern. I spend my time moving here and there. I have just come back from my school, spending five hours there in my class-room. I was completely alone and thought about the school life of Adolf Hitler and Carl Jung. History was the most favorite subject of child Hitler, because he got and excellent history teacher, who would not narrate history, but would show history through words. When the teacher would say, the child mind of Hitler would feel the thrill of Greek mythology and the glory of war. It was the teacher who was forming is his mind. The face of the dull history teacher of my school removed before my mind. And for a little while, I felt it was my misfortune not to get such a history teacher. I do not know how my mind turns to history, but I can say it has attracted me like a current of the running water, and unknowingly I tried to flow with the current.
Karl Gustav was knocked down by another boy in the school and ''fainted problem.'' Why? And latter he wrote The psychology of the Unconscious. The history teacher of the Adolf's class was shaping the Unconscious of Hitler. I was unable to understand what this school gave me. Nothing !!! School is a format....it constructs mind in a certain format....while mind does not like format. Who care of the examination? And Why? Let me see, what questions they are going to ask in examination. I hate questions that have been repeated been repeated again and again in the examinations.....I know I have a brutal fight ahead, and it is making me happy and life full. I always want to fight, how can I leave without fight. My Russian Venture has been stopped forcefully, no matter. Let me learn some lesions from this great un-success. Learn from your un-success, it will lead you to success. No one will catch me, I am alone in my war. And I am in an advance condition, because I can count my opponents. I think the message of the unification of all the three countries have been spread in the class room. And it can be converted into an international issue. Is my mind is sure about it? Perhaps sure! Let me enjoy bottles of cold beers.


24 October
I am alone in my Omen and drinking the fourth bottles of beer, sitting before the portrait of Adolf Hitler, other six bottles are laying in the cartoon box.
"Why did you kill Jews?, Why ? Why?? Why???'' I feel his alive eyes, looking to me, but no words.
" I know, You waned to fight only, because were in the world of imagination. What was your imagination? You wanted to make only drawing? It would have been better if you had worked hard with pencil, brush and drawing papers. An artist leads the world to a classic war, why? Because he was leading an imagination, and millions of minds are following his imagination. What was that imagination? Anti-Semitic? Wait ! let me try best to recall the words of Jung, .... it is not in my mind...he said ....it in a bulleting...Let me listen your words...Adolf ! What I am going to do, you know? How can you know? Never Adolf!! Never!!!...Even I do not know...Ha!! I have no imagination like you, but I know how to fight.....For what who will care? Why are you looking to me only? I know you never drank in your life, always liked milk. But I love to drink beer....I do not want a Leader Hitler, I want a worrier Hitler! I think better while I drink......Oh! I am very much relax with you, but you cannot capture my mind....because you are past, and I am present let me decide my future. I will make my around clean. ....I know I am a dead drunk, but who care about it????????????
I think I have read a lot during my deprssion phase, and uncocously it running in my mind. But when I was reading I did not what I was reading....My eyes were running fast only over the words, but my mind was some where else.....The words printed in the mind works how, no one knows. What I am doing, Talking to Hitler......It is possible when, when you drink too much....And I always believe wine is my best friend.....Sorry Hitler! I like milk in the morning only.....Let me drink beer with you.....I know you can only see me from this frame......I am very happy....because I have to fight............

Some pages of a torn-diary (part -24)

(by Alok nandna Dedicated to a Nightingale)
15 October
I am a man without dream and hope. I am sinking deep in the world of sorrow and trying hard to find out my goal. A man cannot be imagined without dream, efforts, failure and success. I think and think and think only. I do not need women, I do not need friends, I want my goal only. How can I get it? Who will help me to get my goal? I spend my whole day moving here and there. I went to my old school in the evening and sat in the class-room till late night alone. I sit at the same place where I would sit as a blooming boy in the class room. I recall all the faces, the boys, the teachers, the peon, the principal. I am unable to understand the importance of all the education that has been given to me. I can recall I was not ready to accept their words, and I was always threatened by the teachers. In stead of class-rooms, I would walk to the nearby theatres for morning movies shows.

16. October
The dates of the final examination have been declared by the Institute of Journalism. All the students are busy in preparations. They are exchanging notes and books. But do not care about notes and books. Even I do not care about the examinations. Let them read I will go according to my own ways. This examination culture never attracts me. The yellow eyes girls came to my Omen today with the round face girl. They were talking a lot of the examination. I was not talking interest in their words, I am still struggling against the shadow of my father.
I drank badly the late night with the young director. As usual he told me a lot of stories about women. I was dead drunk when I came back in my Omen. I stood before the portrait of Adolf Hitler and tried to recall his words against his father. In a fit of frustration, I said again and again, '' I am good for nothing. I am good for nothing.'' I fell down on the ground.

18. October
There is a pain in my whole body. I have been laying on the bed for two days. I have seen some black spots over my face, these are the results of too much drinking. I want a peaceful life. The black's girl younger has sent a letter to me through her brother. I have read it again and again. I feel she is a passionate girl. She may be helpful to me. I am thinking to call her. But she will ask a lot of questions seeing my distorted face. I cannot move outsides Omen with this face. I should stay here. I open an old box and search it without any object. I get my revolver in this box, made of chine. Seeing this revolver, a suicidal approach emerges in my mind. I take the revolver and check it and then put it on my head. I think what will happen if I shoot myself. People will come to my Omen and will see my dead body and talk about me. How they will talk about me? I look to the picture of Adolf Hitler and think about his death. It is very easy to kill other man than to kill oneself. Undoubtedly Hitler was a brave man. He finished himself. I think about his all group who committed suicide with him, Gobels, his wife and their children. It was a collective suicide. The word of Durkhim comes in my mind, ''both life and death forces exist in a human being. Both have same intensity. Oh! What I am thinking? I am thinking to kill myself? But why? Because I have been stopped by my father? Knovalov, a hard drinker character of Maxim Gorki emerges before my eyes. I listen the sounds of his words,'' How a man can stand when all the black forces of the world are ready to push him down? I want to live but see nothing to catch. I do not believe in wife, children and land. I have no hunger for them. How a man does spend his life kissing the same lips again and again? I do not know what I want? And no one can tell me what I want.'' When I write I feel I am discharging my all worries. Oh ! Now I am very much relaxed to write it. Now I want to walk out side my Omen.

20 October.
I read the pages of books but do not understand its meaning, something is going on very deep in my mind, but I am unable to recognize it. What is it? I am not sure. I know no one can help me, and above all I cannot ask for help to any one. Perhaps my fighting sprit has been killed. I think about Nepolian Bonapart, alone in the Sent Hellena Island. He was captured after Waterloo and spent six years there. What he would do there? He would talk to himself, and would think about all his 40 battles. I am just like him, alone in my Omen and think about my Russian venture. My empire has been destructed before its construction, and the world will never know anything about it. Nepolian would say, my ideas have been stolen by the world after my defeat and I say, my ideas have been aborted before its birth. I am in more painful condition than would be Nepolian. The life is a hell to me. Let me think something different. But what? About girls! About wine ? Or About these books...? Yes about these books. Let me read something. But I know reading is not my medicine. My body is fit, my mind is fit but my soul has been wounded, and nothing can heal a wounded soul.

21 October.
All the students of Journalism have been asked to submit a project. They have been guided to make a practical copy whatever subject they like. Girls are interested in fashion worlds and boys are interested in politics and day to day activities. They are discussing more and more over this project but I am not sure what I should do? After a little thought I decided to work over the concept of Unification of India, Pakistan and Bangla desh. I pick up the map of all the three countries and creates ten questions regarding this issues. All questions are yes or no format. I personally visits to some unknown people and ask these questions. I interview more than hundred people and convert all the information into statistics. The result of this survey is amazing. 98 percent people think that the unification of all these three countries should be done, but 100 percent people think that it is impossible. When I arrange all the information in a proper way, I start thinking of the lay out. The first Volume of Das Capital by Karl Marx catches my eyes. I adopt the lay out of this first German Volume, although I know nothing about the German language. I work with two sketch pens...red and black and write over it..'' The Survey of The unification of glory.'' Now I am highly satisfied with this project work. Let me see what other students have done with this project.

22 October.
This project work has pushed me deep into the mysterious
cave of history. My mind is moving around the unification of Italy and Germany. Around Mezni, the soul of Italy ! Around Gareboldy, the sword of Italy ! And around Count Caboure, the mind of Italy!!! I can feel the strength of these heroes. I can see the shining eyes of Bismark. I can listen his words, ''All the problems of this world are solved not through talks but iron and rod. '' A man who sees dreams with open eyes has ability to lead the world. Now I am very much enthusiastic and energetic, let me enjoy this world again with new life and new mind. Round face girl! Where are your! Yellow eyes girl ! Where are you ! My black darling! Where are you ! You all come to me, I will love all of you together. Yes! I can do it, I can do it, I can do it.


23 October.
All the students are submitting their project works one by one to the professor in-charge. Ah! He is always funny with his clumsy dress. My project work is moving all around the class, from one hand to another hand, while I am sitting in a corner and reading Sons and lovers by Thomas Hardy. The Muslim girl comes to me says, ''To much reading is not good to mind.'' I look to her. She seems beautiful and attractive. I smile and say,'' You are looking beautiful. ''
''I never like these words. Have you submitted your project work.''
''No. But just about to submit it.''
''May I see it.''
''Why not, but you have to wait because it is moving all around the class. You know all the students want to see it,'' I say proudly.
''I do not want to see it. I have made my own project. Do you want to see it? ''
''Of course.''
She gives me her project work. Theme of her project is women under Islam rules. I turn the pages of her project and realize that this girl has a beautiful mind behind tough nature.
"What are you thinking? '' She asks to me.
''I always think to kiss you in a violent way, but today I want to hug you pleasantly.''
For a little while she looks to me with surprise and asks, ''Why?''
''Because I am falling in love with you.''
''Just shut up !''
She takes her project work from my hand and goes away. I again turn to Sons and lovers.
Later I am called by the professor in-charge. He is very angry to see the lay out of my project.
''What is it?'' he asks to me.
''My project.'' I say.

''Who will understand it? What is the importance of this project?''
''You will not understand it? ''
''No.''
''Then throw it away.''
''Are you going to submit another project?''
''Never! Because I know I have done my best. Now the ball is in your court, whatever you like you do it.''
I say and come out of his room.
Latter I am informed that my project has been thrown away, but I am happy that my work has ability to react people fanatically.
If people react to see you or to here you, it means you are alive...your soul is alive!!! Yes I am alive!! My soul is alive !!!

Nothing like that (|Scene 1 ot 7))

(Alok nandan, Dedicated to a far voice.)
Scene 1
Characters : Jelly and a make-up man, and a dress man
Ent/day/make-up room.
(Jelly is sitting in front of a big mirror. She is in a sexy dress. A make-up man is doing her hair, and a dress- man is standing beside him with a pair of French-shoes and a Classic French Dress of seventeenth century.)
Jelly
(Looking into the mirror, She watches her lips and breasts with pride)
All men want sexy women. Men are crazy behind hair, lips and….. (Looking to the woods)…They must be exposes on the screen. (To the make-up man) What are you doing with my hair?

The make up man
I am making your hair straight madam, as I have been ordered.

Jelly
Do not be stupid. I want my hair curly. It gives me a sexy look.
The make-up man

You are a queen, you need a sober and decent look.

Jelly
I do not care. What people want form me is important. You do what I say.
(the make-up man starts doing her hair curly.)

The dress man
(Showing her a dress) Madam! You have to put on this dress.

Jelly
(Jelly looking to a dress in disgust)
What is it?
The dress man
Your dress for the court scene.
Jelly

I am looking nice in my won dress. I need no change. You know who has given it to me? I have promised him that I will put on it in one of my movie.
The dress man
But I have been instructed very clearly regarding this scene. I have researched hard to create this period dress. You are playing a role of seventeenth century fun loving queen.

Jelly
I know, I know. But it is not the seventeenth century. Do what I say.

The dress man
But..
Jelly
No but, just follow my instruction. I want to lead this era, era of beauty and sex. (Enthusiastically) I want to make every one mad behind me.
Cut to….
Scene 2

Characters: Actor Jack, and assistant director Nick
Ent/day/ in side his room.

(Actor Jack is sitting very comfortable in his chair. There is a paper in his hand. He is in a make-up of a leader, a very corrupt leader of the French revolution of 1789, belonging The third state. He looks to the script and tries to read some of his dialogues)
Jack

(He reads it, as he is remembering the) Yes, I am a dog. I am a mad dog. I will bite the monarchy and it will die of my bite. Yes I am mad dog…You sent me to the legislative. I will bite the monarchy. (And looks to the assistant director Nick, who is not satisfied of his dialogue delivering.)

Assistant director Nick

What you are doing ? It is an aggressive dialogue. You are supposed to be aggressive. You are Marro, very clever and aggressive leader of this revolution. Just catch the essence of the dialogues.

Jack
(He tries again) Yes, I am a dog. I am a mad dog. I will bite the monarchy and it will die of my bite. Yes I am a mad dog…You sent me to the legislative. I will bite the monarchy. (Again the assistant director is not satisfied.)
Assistant director Nick
(With a irritation but cold words) You are not getting the point. You must be aggressive.

Jack
If I am a leader of a revolution, Why will I proclaim myself a mad dog? Who has written this script?

Assistant director Nick
The director himself.

Jack
Tell him to change my dialogues. I want some decent and powerful dialogues. Is it the dialogue…I am a mad dog ? I will bite…Tell him to change this dialogue

Assistant director Nick
If you ask him to change this dialogue he will bite you and you will die. Please remember all the dialogue and come on the set….and of course with aggression. Why do not you stand up and improve your dialogue delivery style?
Jack

(stand up and move here and there. He recites the dialogue as poetry)
Yes, I am a dog. I am a mad dog. I will bite the monarchy and it will die of my bite. Yes I am a mad dog…You sent me to the legislative. I will bite the monarchy.
Cut to…

Scene 3
Characters : Artist Jon, a junior lady artist Roma and Assistant director Robin.
Ent /day/ in side a room.
Artist Jon is in a bishop dress. He has a bible in his hand, and a script in his another hand and a cigret in his mouth. Roma is standing before him.
Artist Jon
I have a chance to prove me acting skill. So I need your help. I will deliver my dialogue before you. You just support me as Jelly, the queen of the sinking empire.
Roma
First you throw your cigret away. What you are saying I am not getting.
Artist Jon
Ok (He throws his cigret, and looks to his dialogue's paper. He changes his mood and tries to become a decent bishop. He looks to her and deliver his dialogues, in a loud pitch)
For a good kingdom, it is important to have the subject dissatisfied. If they have enough to eat, they will start thinking and a thinking subject is never good for an empire and its activity.(He holds her hands)
Roma
You are bishop, you are not going to touch a queen in this scene.

Artist Jone
(Holding her in his arms) Let me improvise the scene. It will work greatly, darling. And then I will tell the director to implement this improvised scene.

Roma
You do not know the director he will throw you away.

Artist Jon
I will see him. Certainly he will be happy to listen about my improvised scene.
(He started smooching her lips. She does not resist and enjoy his lips movement. He pushes his hands in her skirt and she starts breathing heavily. All of sudden Assistant director Robin enters into the room and see them. Artist Jon looks to him.)

Assistant director Robin
Bishop you are being called. Your shot is ready.
Jon
(Jon turns to Roma and smiles.)
You wait I am just coming.
(He leaves the room in a hurry. Robin comes close to Roma and holds her in his arms. She does not resist.)

Robin
I think you have all qualities to become a great actress.
Roma
Thank you very much. I have a very little role in this film.
Robin
No matter. I will tell the director to enlarge your role. He always follows my suggesting.
(They start kissing each-other)
Cut to…

Scene 4
Characters: Camera man Peter and his two assistants Rose and Tam, some lights-men.
Ent /day/in side a big hall.
(Camera man Peter is sitting on a chair with two of his assistants Rose and Tam. He is smoking a cigret. Rose is looking a map of shots, Tam is filling a magazine in a movie camera.)

Rose
(Looking to the maps) Sir, we have to fix four cameras according to this map-chart.
(Peter looks to her in a relaxed mood.)
I have discussed with assistant directors. They want to cover the queen court according to these angles.

Peter
(In his natural harsh tone.He always speaks like a barking dog.) A good camera man never thinks according to the chart. Fuck the chart. Watch the sets and think according to it. Director thinks non-sense while a camera man is always pragmatic.

Rose
(With a little hesitation) But directorial team has worked hard over the placement of cameras. And they do not want any diversion.

Peter
You are assisting me or the directorial team?

Rose
You, sir.

Peter
Then learn the rules of the game according to my ways. Is that clear?

(Jon comes to the Peter and Rose.)
Jon
( Looking to the camera. To peter)
The camera is ready?

(Peter looks to him form the top to bottom.)
Peter
Are you a junior artist?
Jon

(With proud) I am doing a leading role in this film. I am a bishop. Is camera ready?

Peter
You don’t eat my head. Stage is not ready now. You have more time to remember your dialogues.
Jon
I have already remembered them. Would you like to listen?
Peter
Go and show your acting capability to your director. It will be more fruitful. Where is the director?

(Jackson sees the another camera assistant who is working loading the camera and stands before the camera)

Jon
Let me have a rehearsal. (He turns to Rose) Would you mind to give me a support please?
Rose
No,thanks.

(He stands before a the camera and starts delivering his dialogues )
For a good kingdom, it is important to have the subject dissatisfied. If they have enough to eat, they will start thinking and a thinking subject is never good for an empire and its activity….(With a loud voice) No director has ability to use my all acting capabilities. Where is the director?
Cut to…

Scene 5
Characters : The director, his two assistants Max and Jill and producer Elizabeth.
Ent /day/ in side a room.

(The director is sitting on a chair and watching the details of his shots. The two assistant directors are sitting with him.)
The director
The set is ready?
Max
No, She always takes too much time. The production department always complains against her. It is thinking to remove her.

The director
She is a hell. All artists are ready?

Jill
Yes.

The director
Call them on the set. Where is the chief camera man?

Max
He is still waiting for the set! Liza is talking too much time. Even Madam Elizabeth is very angry with her. She too wants to remove her.

The director
(In irritation) Do not talk nonsense. Only mind your won business. ( Standing up) I want to see the set. This lady is creating more and more problem.

(Elizabeth comes into the room.)
Elizabeth
Who is creating problem?
(The director looks to her in disgust)
Jill
Art director Liza.

(The director looks to Jill with anger)
Elizabeth
I have listened a lot of her. All the unit is against him. Everything is being delayed due to her. (Turning back to the director) you must throw her away. You can make a great movie without her.

The director
She is the part of our unit. Let me talk to her first.

Elizabeth
The camera man is waiting for the set, and …
The director
I know, I know. You just sit here and have a cup of coffee. I will see everything goes according to my plan.

Elizabeth
No, I want you here. (Showing her dress) How I am looking in this dress?
Jill
Very sexy!!
Elizabeth
(She looks to her with anger) I have not asked for
your words.

The director
I do not want any nonsense here. Let me see the set.

Elizabeth
I want to come with you.
The director
Oh, no! Why are you trying to eat my mind?

Elizabeth
(In angry tone)What do mean? Am I eating your mind? I am the producer of this film, never forget it. I want to see what is going all around here.
The director
(With irritation but skillfully) Yes, I know it, so why I am telling it to you. You are the producer and owner of this film. So you must maintain distance against all those working men and women. You must understand your importance. Do not you think so?

Elizabeth
I do.
The director
You are looking very beautiful. (turning to Jill) provide her a cup of coffee. (Turning to Elizabeth)
You just have some rest, I am coming within two minutes.
(The director goes out and Jack and Jill follows him. Elizabeth stands there and mumbles)
Elizabeth
(with a little anger) Where is my coffee?
Cut to…

Scene 6
Characters :The director, his two assistants Max and Jill
Ent/day/ in a gallery
(All of them are walking through a gallery fast)
The director
I want everything in a right way. Where is Peter? Call him on the set.
Max
He does not like an unfinished set.
The director
Have you instructed him about the position of the all the four cameras?
Max
He does not like to talk to an assistant, but I have submitted him all the instruction in written form and have explained each and everything to his assistant Roma.
The director
Call peter on the set. I will talk to him. I will shoot the court seen first. The queen and the bishop are ready?
Max
I have sent Robin to see the bishop. Let me check the queen.

The director
Go fast.
(Max runs to a certain direction. The director and the Jill go ahead.)

Inter cut…

(Max comes to a door,it is a half open door. He looks from the door. Robin and Roma are laying on the ground.They are kissing each-other. He looks from the door and gets excited. All of sudden he opens the door, both of them looks to him.)

Max
You are doing good job here.
Robin
I just
Max
(Comes to Robin and looks to Roma.)
You are doing good acting here. (He turns to Robin)
Where is bishop?
Robin
I have sent him to the set.
Max
But he is not there, go and find out him. The set is ready for shot and the director is very angry.
Robin
Who cares the director? He is eccentric. If I get a chance I can make a better film than him.
Max
I know, you can. But if you do not attend the set right now, You will be kicked off. Run fast to the set.
(Robin goes out of the door. And Max turns to Roma.)
You have a lot of talent.
Roma
Robin was telling me such a thing.
Max
But he does not know how to utilize talented artist. I am his senior. He is learning the art of direction. I will tell you how to present yourself effectively before the camera. (He goes ahead and holds her in his arms)
Can I test your talent?
Roma
I would love it.
(Both of them starts kissing)

…. Inter-cut
(Robin comes out of the room, and thinks a little while. Then he turns back to the door. He pushes the door and sees that both Max and Roma kissing each-other. He enters into the door and comes near to them. They are very much engaged in their activities. They are unaware that Robin is standing there and watching them like a fool man. With high frustration he picks up a glass from a table and throws it on the ground forcefully. Max looks to him with anger.
Max
(With anger)You are still standing here.
Robin
(With same anger)The director has sent me to call you.
Max
Never forget, I am your senior.
Robin
And you never forget that director is your senior.

Max

Ok, come with me.
(He advance to the door. Robin follows him. Max gazes him and he goes out of the door, glancing at Roma. Max turns to Roma)
Max
I will test your talent latter.
(Roma looks to him with sexual frustration.)
Cut to…


Scene 7
Characters: The director, Jill Camera man Peter, his assistant Rosy,Jack and art director Liza, a dress man.
Ent/ day/ In a gallery

(The director is walking ahead, and Jill is following him)
The director
I want to shoot the Queen scene first. Each and every scene needs special care. Call all the artists.
Jill
She does not like to sit on the set, so first we have to check the set. She always creates problem if set is delayed. And you know this Liza is always late in her work.
The director
(In irritating tone) And you are very smart in your job!
Jill
My pleasure ! But I do not mean it.
The director
Have you distributed the scene and dialogues among all the artists?

Jill
Yes. Everything has been explained before them. I am sure they will do their best.
(They come in a big hall. Camera man Peter is sitting on a chair and smoking. His assistant Rose is standing there. Jack is moving with a script.)




Jack
Yes, I am a dog. I am a mad dog. I will bite the monarchy and it will die of my bite. Yes I am mad dog…You sent me to the legislative. I will bite the monarchy.

(The director looks to the Jack. And Jack looks to the director. And with full confidence he tries to influence the director through dialogue delivery)
Yes I am a mad dog…You sent me to the legislative. I will bite the monarchy.
The director
(He is not satisfied with his dialogues delivery. He looks to the Jill)
Is he barking like a mad dog? I want a horrible barking expression. Tell him to bark like a mad dog, I don’t want a artist, I want a mad barking dog here.
(He comes to the Jack) Have you ever seen a mad barking dog? If not come with me.
(He comes to the Camera man Peter.)
Peter what is going on?
Peter
(Still smoking, very irritating and aggressive way) Everything is hell here, the set is not ready.I never understand what is going on here. Your art director is a hell. She kills more time.
(The director turns to the Jack)
I want this expression, Did get the point. You must imagine yourself as a mad dog, and everything will be easy for you.
(Peter looks to him angrily, and smokes very fast)

Jack
But this dialogue does not fit for a leader.

The director
You only think about the expression. Do not worry about the dialogue and story. I am here to take care of it.
(Turning to Jill). Were is the queen? Peter, would mind to come with me. I would like to see the set together.
Peter
(Leaving his chair) I do not understand you are making a movie or doing a nonsense drama here? Is it the way of making a movie? If you want everything in time fire the art director.
The director
I do not need your suggestion in creative department. You just take care of your won work.
(He advances in a big room, where Liza is busy with a French Painting. She is hanging it on a wall beside the throne of queen. She is unaware of the presence of director, Peter, Rose, Jill and Jack who have entered in the room. The director watches the set very keenly and seems satisfied. Even Peter feels that the set has been created perfectly.)
Jill
(In a loud voice, to Liza) You always take too much time.
(She listens his harsh voice and loose her control over the painting. The frame fells down on the ground and its breaks. She does not understand what to say. She looks to the director who is gazing angrily to the Jill.)

Peter
(To the director, in an irony tone) How smart she is!
Liza
(Coming to the director) I am sorry.
The director
Its ok. (Turning to Peter) You can arrange your camera. I want to cover the whole sets in a magnificent way…it is the court of the king (Turning to the Jill)
Where is the queen?

Jelly
(Entering into the room with her sexy dress.)
I am here. (She moves on as if she is doing cat-walk on a ramp. The director looks to her lady cut-shoes and he looses his temper.)
The director
(In a fit of anger, looking her beautiful lady cut-shoes)
What is it?

(Jelly looks to the cut-shoe surprisingly and then she looks to the director, she is not ready for this reaction.)
Where is the shoes of queen ?
(The dress man who is standing behind Jelly runs to the director with a special French shoes, and French dress.)

The dress man
Here is the shoe.

The director
(Looking to him, with high anger, and lowing down his head) Hit it against my head.
(The dress man goes ahead to hit him, but realizes it is not his job and he stops)

How can I do it?
The director
You can not hit it against my head ! Hmmm ! Then go and put them in Queen's feet.
(He looks to Jelly who is in indecisive condition, little afraid and irritated, and turns to the director.)

The dress man
And what about this dress?

The director
(With a smiling pose.) I will be look beautiful in this dress behind the camera, directing My queen. Help me to wear it. (With a fanatic angry voice).Go to queen and ready her with this dress only…Do you understand ? With this dress only, with this dress and this shoe only. Now run fast. If she cry, tear down her all the clothes. I want my queen only. (Look to the Jelly). Is that clear Jelly?

(Jelly looks to him with confusion. The dress man comes to her. He looks to her. And she goes out of the set, the dress man follows her. He looks to Liza, and she understands what he is looking for. Without word she goes away. Then he turns to the Peter.)
I do not want to bark more, Will you fix the cameras please ?
(He is still smoking. He looks to Rose, and Rose runs fast.)

(Looking to Jill, in a fanatic tone) Where are my all assist dogs? I want them here now.

Cut to…..

The father and the son (Scene 81-94)

(by alok nandan, dedicated to a pearl )

Scene 81
Characters : The son, the mother and the father
Ent/day/in side the house.
The mother
(Looking to the son) I am waiting for you. Where did you go?
The son
I was just walking outside.
The mother
Your father will be angry to know that you are moving outside. He has instructed you to stay inside the house.
The son
If you do not tell him, how will he know about it?
(The father enters into the room and comes to the son)
The father
Just come with me.
The son
Where?
The father
We are going to have a picnic today.
The son
More picnic!
The father
What do mean by more picnic? Did you go anywhere?
The son
No. I am staying her for long. You can ask mother.
(The father looks to the mother)
The mother
Yes, he is staying here.
The father
Now come with me.
(Both father and son goes outside)
Cut to…

Scene 82
Characters : The father and the son
Ext/day/out side the house
(The father coming to the jeep)
The father
I am unable to understand what is going on here.
(He sits on the driving seat)
The son
(Sitting besides him) Where we are going?
The father
To hell.
(He starts the jeep and goes ahead)
Cut to…

Scene 83
Character : The father, the son, the police inspector.
Ent/day/out side the post-mortem room.
(The son is little surprised. The father is leading him to the post-mortem room. When the father enters into the post-mortem room, son follows him but quickly turns back due to the smell of dead bodies)
The father
(Looking back to me, angrily) What happened?
The son
(Closing his nose with his hands) It smells badly.
The father
Use your handkerchief and come here.
(The son takes his handkerchief on his nose and follows his father. The father comes to a dead body and looks to the son)
The father
Do you recognize this dead man?
(The son shakes his head in affirmation. The father turns to the other two dead men and looks to the son, again the son shakes his head in affirmation. The father comes out of the post-mortem room and the son follows him. When the son comes out he vomits. The father looks to him)
The father
Now tell me the whole story.
The son
(Washing his mouth from the handkerchief) What story?
The father
(In an angry tone) Who killed them?
The son
(In a loud and angry tone) How can I say who killed them?
The father
These are men who attacked on You ?
The son
Yes!
The father
And they were killed! Is there any co-relation between both the incidents?
The son
I know nothing about it.
(The inspector comes to the father, and the father looks to him)
The father
I want some information regarding these people. Had they any criminal back ground?
The inspector
They were notorious criminals and one of them was a leader of an underground organization. Police were looking for him for a long time.
The father
Hum! Thank you,
(Looking to the son) Are you ok?
(The son looks to his father but says nothing)
The inspector
I think they were killed by the opposite gang. I am here to welcome more dead bodies. It has some connection with secret organizations. The brutal war has started between them.
The father
You should stop it.
The inspector
It is impossible to stop it, let them kill each-other. I will wait and watch and the make a report. Then my job is over.
The father
(With an irritated smile) You are doing good job, waiting and watching.
Cut to….

Scene 84
Characters : The father, the mother and the son.
Ent/evening/in side drawing room.
(The son is laying on a sofa and the mother is oiling his head. The father is sitting on a chair.)
The mother
I always tell you not go with this man.
(Father looks to him angrily.)
Why did you take him in the post-mortem room. He is ill now. You do not know he is a kid and it is not good to him to see dead bodies.
The father
I knew. But it was necessary. Let me do my work, and mind you won business.
The mother
I warn you not to talk to my son.
The father
It is my son too, and I know how to behave with a son.
The mother
You know nothing. You are neither a good husband not a good father. And for your kind information it is not your office, but my house. And you cannot act here like a boss. We are not criminal.
(The son closes his eyes and listen everything without reacting.)
The father
Is it your home? It is I who bought this house.
The mother
After selling my land.
The father
You have made this home a hell.
The mother
And you are moving here like a ghost.
(The son stands up and enteres into his bed room. He sits on the flour against the wall and listen the fighting's words between the father and the mother)
The father
Am I ghost? And you are a witch whose mind is occupied by a devil.
The mother
My whole life is spoiled. Oh! God save me.
(The son picks up a glass and throws it forcefully against the wall with full anger. )
Cut to…
Scene 85
Characters : The four murders and some armed men.
Ext/day/ a market place.
(The murders are riding over two bikes. They have eight hens in there hands. It is a village market. The stops before a man who is selling onions)
The first murder
(To the shopkeeper) Give five kg onions.
The shopkeeper
Sure sir.
The second murder
Big brother has asked us to bring the boy.
The second murder
He is liking him very much.
The third murder
All the materials have been bought. You all go to the village, I am going to the boy.
The fourth murder
(Who is sitting besides the bike) You will go alone?
The third murder
No problem. I will go and bring him fast. Just get off.
(The fourth murder jump from the bike and turns the bike and runs away) Take care. We will wait for you.
(The shopkeeper gives them five kg onions. One of them pays the money and sits on the bike, The third murder too sits behind him. As soon as he turns the bike, eight people cover him with revolvers in their hands)
Cut to...

Scene 86
Characters : the son, the third murder and the mother.
Ext/day/ in side the garden
(The son is cutting leaves of flowers in an artistic manner in side small garden and the fourth murder come with his bike and horn it. The son looks to him and then to the door of his house. He comes to the gate where the murder sitting on the bike)
The fourth murder
The big brother has called you. We are cooking cocks today.
The son
But I cannot come. My father has ordered me to stay in the house.
The fourth murder
All father dictates children. You do not worry just come.
The son
No, I cannot disobey him. I will have to ask my mother.
(The mother comes outside the house)
The mother
What happened?
The son
My friends has organized a picnic. Can I go?
The mother
You must go. Do not worry about your father. When will you come back?
The third murder
We have two days plan. It will be a great fun. Please allow him to go, aunty.
(The son looks to the mother for premission)
the mother
Two days! Oh no.
the son
I will come back by late evening. please mother!
The mother
Ok. But never forget your father will bark over me if you do not come by evening.
The mother
I will come without fail.
(He says and open the gate and sits behind the third murder. He kicks the bike and goes away)
Cut to…

Scene 87
The characters : the father and the chief
Int/day/in side a room
(Both of them are sitting around a table.)
The chief
Headquarter has instructed us not to arrest any one in this fraudulent case, although we have sufficient proofs against them.
The father
The centre bargained with the state government. The CM and his party is going to support the centre. Give and takes policy. Our department is being misused by the centre.
The chief
Do not talk foolish. We are doing our job.
The father
Sorry. But really we are doing our job?
The chief
No argument about centre decision. Is it clear. You have another assignment.
The father
Yes sir.
The chief
Some underground organizations are active in this state. They are collecting money and trying to run their own judiciary system. They are directly challenging government. I want a complete reports about all those secret organizations. You know how to do it well.
The father
What will be done with the report?
The chief
It is non your business. You have to obey your superior.
The father
My first and foremost duty is to make the world crime free.
The chief
It is good. Those two officers will assist you if you need.
(The father stands up)
You have done a great job.
Cut to…



Scene 88
Characters : The son, the third murder and the shopkeeper.
Ext/day/ in side the market.
(The third murder comes to the shopkeeper with his bike. The son is sitting behind him.)
The third murder
(to the shopkeeper who is afraid to see him) When the left the place?
The shopkeeper
(Looking here and there) Go away. Some people have kidnapped them.
The third murder
What! When?
The shopkeeper
As soon as you went away, they came and…
The third murder
Who they were?
The shopkeeper
I do not know, you go away.
(The third murder put out his revolver and aims at his skull.)
Who they were?
The shopkeeper
(trembling with fear) Red salute!
The third murder
Go to hell, (He shoots him, The son looks to him surprisingly)
Cut to…



Scene 89
Characters: The son and the third murder, an informer, a girl.
Ext/day/ a village road.
(The bike is running very fast on the village road.)
The third murder
They are in danger. We have to save them.
The son
We do not know where they have been taken. Where we are going?
The third murder
We have some informer. We should consult them. May be we get some clue. If I go to the big brother without information about them, he will kill me.
(The bike enters into a small village and it stop before a hut. A man is feeding his cow. He looks to them. The murder comes to him.)
The murder
Our three men have been kidnapped by the red army. I need you help.
The informer
Would you like to drink some milk.
the murder
No, water only.
(The informer brings some water from a deep well, and offers him to drink from the pot.)
The informer
You have to wait till night. They are organizing a public court tonight. I think they are going to punish them publicly.
(After the murder the son drinks some water from the pot.)
The murder
But it will be too late. Where they are organizing this public court?
The informer
It is never disclosed. But I will find it out. Till now you stay in my hut, and hide your bike there. What would you like to eat?
The murder
(In an angry tone) Their flesh !

Scene 90.
Characters: The golden chain men, his two sons, some villagers, children and a murder.
Ext/day/ under a big tree.
(The golden chain man is sitting on a cot, having the snake in his neck. There are six cots under the tree. Some villagers are sitting on the cots. A singer is sitting on the ground and singing Alha, a very famous folk song. He is singing very well. All the villagers listening are listening him. They are thrilled to listen him. A police man comes to him by bicycle. He stands the bicycle and runs to the golden chain man. The golden chain man looks to him.)
The golden chain man
You are well come here.
(The police man look to the snake and hesitate to come near to him. The golden chain man catches the snake gently form his neck and smiles)
Do not worry it is my friend. It will not hurt you. Come and sits besides me.
The police man
I have an information for you.
The golden chain man
I know you always have information for me. Today we are going to cook cocks. I think you would like to eat it. (Looking to the murder) What is time ? Why those boys did not come back from the market ?
The police man
(Looking straight into his eyes)They will not come.
(The golden chain man looks to him, expecting more words)
I want to talk to you in secretly.
Cut to…

Scene 91
Characters : The golden chain man, the murder and the police man.
Ent/day/in side a room.
The golden chain man
(In angry and irritating tone) Our three people have been kidnapped and one is disappear !
The police man
Not one, but two. There were two people when the shopkeeper was shot at the market. Earlier three people had been kidnapped form the same spot. Police are searching for them.
The golden chain man
Let them search. I will take my won action. Thank you very much for your kind help.
(He gives him some money, but he refuses to take it)
The police man
For this information, I do not want money. Just save them. They are in danger.
The golden chin man
Who is the fifth person? Oh! It is the little boy. (He turns to the murder) Find out where they have been kept. Quickly, we have no time and call our all men. We will teach them a good lesion.
Cut to….


Scene 92
Characters : The father, his two associate, some policemen, a big crowd and the dead shopkeeper
Ext/evening/ in the market.
(A big crowd is standing around the dead man. A police jeep comes the crowd. Four police men come out of the Jeep and disperse the crowd. The father is sitting in a small hotel besides the road. He is drinking tea and listening the chatting of villagers. His Jeep is standing there.)
One villager
It was a young man who shot the shopkeeper and then run away by his bike.
The second villager
They were two. One was a young boy. I have seen them. But I could not understand why he shot him. It was a poor shopkeeper.
The third villager
Police have come now, six hours after the incident. They are always late. They know only how to earn money.
The fourth villager
They were four men. Three of them have been kidnapped by some men.
The tea stall man
Do not talk nonsense here. Drink your tea and go away. I am closing my shop. police will come here and start inquiring. If you all talk lot they will sent you prison. Then you will have to sell your all land.
(A associate come to the father, the father looks to him)
The father
(Drinking tea) Would you like to drink tea? (Turning to the tea man) Your tea is very testy.
The tea man
I always use pure milk, sir.
The father
That is nice. Bring me two more glasses.
The tea man
Sorry sir, I am going to close my shop…but wait, You seems outsiders and like me tea, so I will make two glasses for you.
The father
I will be grateful.
(All the villagers stands up and advance to the dead body)
The tea man
You have not paid me, gentleman.
A villager
Write down in our account.
The tea man
You never paid me.
A villager
but still your are alive, and you will not die if I do not pay you now.
(He goes away with other villagers)
the tea man
(Looking to the father, in a complaining tone) Look sir, they are the wicked people, they never pay.
The father
Do not worry I will pay you. Some one has been killed here, it is not good. This place is not peaceful.
The tea man
You are right sir. Murder is common here. Even water is more cheaper than a man's life. People are always ready to kill one-another here.
(He gives two tea to father and the associate)
The father
(drinking the tea) I have never drink such tea in my life. Really you use pure milk.
the tea man
I have four buffalos sir.
The father
It is good. Kidnapping is common here?
The tea man
I tell you a secret sir, but please do not tell it anyone. Today three men were kidnapped before my eyes before this murder. They were from red army. Do you know about red army?
The father
I do not know. What is it?
The tea man
They are very dangerous people. They are capturing land and fighting against police. In this area, Police men never come out of their police station. Ha! ha! ha!!
The father
How much you earn from this tea stall.
The tea man
Villagers are very wicked. They do not want to pay me. If you ask for your money, they will start abusing you. I am doing business here, and I cannot fight against them. Every month I pay five hundred rupees to police, besides I pay one thousand to the red army. Doing business is very difficult here.
the father
Can you recognize those people who have kidnapped three men and the two murders.
The tea man
Never sir, I do not want to loose my life.
The father
(Giving him ten rupees) Thank you very much.
(He comes to his Jeep and the associate follows him)
The associate
They will kill the three men.
The father
We have to save them.
The associate
But we have been asked to report only, We cannot interfere in the local police affairs.
The father
Let me move to the local police station, and you watch the activity here. Where is zebra?
The associate
He is trying to find out those kidnapped men.
the father
How much time will he take?
(He sits on the Jeep.)
the associate
It is difficult to say.
The father
I want it within two hours.
(He starts the Jeep)
If nothing is important here. Leave this place. Better you think, but I want the place within two hours. His tea is good. Catch the man, he will lead you in the right direction. Go and meet his buffalos. They are milky and milk is always good for health, but buffalo milk makes mind dull. Talk to her cow. She will be more fruitful. Women are always too much talkative, She talks nonsense. Go and find out some sense in her talk.
(He goes ahead with his Jeep.)
Cut to…
(The father moves around the whole market with his Jeep. The village market, roads, all the different commodities shops. People are tensed, and talking about this incident, but with care and abuses.)
Villager a
It is the revenge of three people who killed yesterday. Three persons have been kidnapped, here. It is the war between red flag and…
Villager b.
They are going to organize a public court today.
Villager c
Where?
Villager b.
I want to buy some lady-fingers,
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Villager d
A final war has started. Blood will flow on this land.
Villager e
I do not want to leave my land, For my land I will fight till death.
Villager d
I too have some land and cattle. Who will leave his land?
Cut to…

Scene 93
Characters: Fathers and 25 police men.
Ext/Evening/ Police station.
(The father enters into the local police station. All police men are moving here and there without dress. Even the do not have arms. Some police men comes to him in civil dress)
police man A
What you want?
The father
Who is the in-charge of the police station?
police man A
He is in field. What you want?
The father
Who is controlling the station on behalf of him?
Police man a
I do not understand what you are saying.
The father
You are in police force?
Police man a
Yes.
The father
You are on duty?
Police man a
Yes.
The father
(Looking him from bottom to top. He is in sleeper and local dress)
Where is your dress?
(Some police men come to him)
police man b
(looking to police man a) What happened?
Police man a
(Laughing) He asking about our dress.
(All the police men laugh and it makes father angry)
Police man b
If you want to complain anything come tomorrow. We are busy now.
The father
I see. You are on duty without dress. (Loosing his temper, and in an authoritative tone) Where is your in-charge? I want to see him just now. Go and call him.
(All the police men realized that the father is a senior officer)
Police man a
He is in field now.
The father
Go and call him.
(All the police men look to each-other in bewilderment. The father is still sitting on his Jeep.)
Police man b
A shopkeeper has been killed today in the market. He is there.
The father
I am coming from that place. He is not there. Tell me the truth.
Police man b
Sorry sir, we are not allowed to tell anything about him. Better you go from here. Anything can happen here.
The father
What do you mean ?
Police man b
The whole area is boiling. We have no men and arms to control them. We are just protecting ourselves. We are only twenty five people here without proper arms. We have no boot and no dress. How we can perform our duty before those bloody organizations that are more equipped than us. We do not want to loose our life. (In an irritating tone) And I am frankly speaking to you. The in-charge of this police station has run away. We are also thinking of it. Now you go away and leave this area as soon as possible.
The father
Oh! it is horrible. Do you have any information regarding the kidnapped persons?
Police man b
All knows that they have been kidnapped by red army, and they are going to held a public court. Who are you and from where you are coming?
The father
A good citizen, just saw the tension in the market and turns here. Thank you very much for your words. Can you tell me where this public court is being held.
Police man b
It is too difficult to say. They always held it secretly. Only there men are allowed to sit in the public court.
The father
Thank you!
(He turns his Jeep and goes out of the police station premises.)

Scene 94
Characters : The son, the third murder and the informer.
Ent/night/ in side hut.
(The son and the murder are sitting in the hut together. A lantern is burning there)
The son
What do you think, will he come?
The murder
We have no alternative, we have to wait.
The son
We will get them alive ?
The murder
God knows.
The son
Do you believe in God ?
The murder
(Showing him his revolver)
My god is this. I know only one thing how to kill the enemy.
The son
Who are your enemy?
The murder
Who are trying to capture my land.
The son
Do you have land?
The murder
My father is a peasant. I was studying in a college in a town. One day they killed my three brothers and tried to capture our land. Since the day I am killing them.
The son
How many people you have killed till now?
The murder
I do not know. I have never counted.
The son
Do you afraid of death?
The murder
Death! I do not think of it. Do you afraid of death?
(The messenger enters into the hut with some clothes. Both of them look to him.)
The messengers
(Throwing the clothes to them) put them on. I have managed to send you in their public court.
The murder
Where it is being held?
The messenger
I do not know, but a man will lead you to them. And with it my work is over.
The murder
No, You have to go to big brother. Tell him everything.
(Both of them changes of their cloths. Now they looks likes poor villagers. The murder put his revolver under his clothe behind his back)
The son
How many shots you have in your revolver?
The murder
I do not know.
The son
Check it.
(The murder thinks a little and check the shots)
The murder
Ten shots. Today I have used only one. You do not have revolver? Would you like to take it ?
The son
(Taking the revolver in his hand )
No. take it. (He returns it to him)
The murder
Move on.
(All of them come outside the hut, an old woman is sitting there)
The messenger
She will lead you to the public court.
(They look to the woman and look to them.)
You have to go by feet, no bike. Best of luck. Once you reach in the public court, her duty will be over. I am going to meet the big brother.
(The woman looks to them and she advances to darkness. Both of them follow her.)
Cut to….